On 22/5/05, Bob Sullivan, discombobulated, unleashed:

>That's refreshing to hear...shoot jpg's and don't meddle with them!

Well, actually they need a little meddling. Typically I do a quick Curves
and a USM. Half the time the exposure is spot on, and the other half I
just bring it up a tad.

>My major fear on going digital is that I will become more of a
>computer geek than I am.  Not very appealing...

Well you say that but I agree. Same here.

>Are your jpg's notably better than from the D *ist or DS because of
>the Canon body?  Didn't we trash Pentax's conversion algorithms?

Not sure. I can choose a max of ten different levels of compression on
the shot jpegs for each of four different physical size images. Large,
Med 1, Med 2, Small. I tend to use just about the least amount of
compression possible on the largest file size possible in Jpeg, and that
gives me anywhere between a 4Mb and a 6 Mb image, typically just over 5 Mb.

When I first messed around, I shot the same scene in RAW and best quality
jpeg. I put each through PS and printed out. There was absolutely no
difference. I make prints, so why shoot RAW aside from the ability to
pull out detail in highlights and shadows? If I can nail the exposure at
the taking stage, seems a good deal.

I have a 2Gb Lexar 80x and I can cram over 350 jpegs on it (ISO 200).
RAW, and that figure drops to 179. If I'm making prints, seems a fair
deal. If I get some tricky light, I'll bracket.

I'm going to give RAW more of a try but really I need to sort out a
faster Mac first. Sure, if National Geo cam knocking on my door and
wanted half a dozen pages on shooting from the hip ;-) I'd shoot RAW. But
they aren't, and I'm not.

If anyone would like a RAW file and a best quality jpeg of the same scene
to poke and prod with an expert eye, I'm happy to send them. To me, it's
just pics :-)





Cheers,
  Cotty


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