Thanks, Tim.  Based on what I've read here I'm going to stick with 400
film and push as little as possible.  There's no way I'd trust I could
nail exposures that accurately inside a dark place and standing
(presumably) on a conveyor belt.)

Cheers,
Gautam

On 3/6/06, Tim Øsleby <[EMAIL PROTECTED]> wrote:
> I used to shoot Ektachrome many years ago. Mostly 400, but also a few rolls
> of 1600. Wasn't to grainy, but contrast and colours where poor as I remember
> it, unless the exposure was 110% correct.
>
>
> Tim
> Mostly harmless (just plain Norwegian)
>
> Never underestimate the power of stupidity in large crowds
> (Very freely after Arthur C. Clarke, or some other clever guy)
>
> > -----Original Message-----
> > From: Gautam Sarup [mailto:[EMAIL PROTECTED]
> > Sent: 28. februar 2006 08:24
> > To: pentax-discuss@pdml.net
> > Subject: Re: OT: aquariums
> >
> > Tom,
> >
> > I'm leaning more and more towards taking the Provia and pushing it
> > as you suggest.
> >
> > I have a few more questions by now:
> >
> > 1. What lenses? I don't have too many choices.  The fastest Pentax
> > lens I have is a 50/1.4.  Is that likely to be too short?  On the tele.
> > side
> > I have an 80-320 but that's not a fast lens (f4.5-5.6.)
> >
> > 2. Has anyone tried Ektachrome 1600?
> >
> > Cheers,
> > Gautam
> >
> >
> > On 2/27/06, Tom C <[EMAIL PROTECTED]> wrote:
> > > Just another suggestion... I've shot 800 speed film at aquariums and
> > even
> > > that was marginal because of the dim lighting.  Even if you are able to
> > > handhold it, the subjects are moving as well.  That's why I suggested
> > > something that can be pushed significantly
> > >
> > >
> > > Tom C.
> > >
> > >
> > >
> > >
> > >
> > >
> > > >From: "Gautam Sarup" <[EMAIL PROTECTED]>
> > > >Reply-To: pentax-discuss@pdml.net
> > > >To: pentax-discuss@pdml.net
> > > >Subject: Re: OT: aquariums
> > > >Date: Sun, 26 Feb 2006 23:51:39 -0800
> > > >
> > > >Thanks for the suggestions.  Think I get a roll of Provia and K200
> > > >and shoot both at the aquarium in San Francisco.
> > > >
> > > >Another question, since K200 is a daylight film would be behave
> > > >OK in the (presumably) flourescent lighting in a fish tank?  I made
> > > >the mistake of shooting K64 under artificial lighting once and
> > everything
> > > >came out green.
> > > >
> > > >Cheers,
> > > >Gautam
> > > >
> > > >On 2/26/06, mike wilson <[EMAIL PROTECTED]> wrote:
> > > > > Gautam Sarup wrote:
> > > > >
> > > > > > I'm planning a trip to the Monterey aquarium and would like advice
> > on
> > > >what
> > > > > > slide film to use.  The only colour film I use regularly is K64
> > and
> > > > > > that's likely to
> > > > > > be too slow.
> > > > > >
> > > > > > Suggestions will be appreciated.
> > > > > >
> > > > > > Cheers,
> > > > > > Gautam
> > > > > >
> > > > > >
> > > > > >
> > > > > K200 - you can push it to 500, maybe more.
> > > > >
> > > > >
> > > >
> > >
> > >
> > >
> >
>
>
>
>
>

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