If you can source the chemicals, home processing of B&W is quite easy.

Dave


On 10/19/06, J and K Messervy <[EMAIL PROTECTED]> wrote:
> And if you don't process film yourself?
>
> I will be taking film to the local pro lab for processing.
> ----- Original Message -----
> From: "Shel Belinkoff" <[EMAIL PROTECTED]>
> To: "Pentax-Discuss Mail List" <pdml@pdml.net>
> Sent: Thursday, October 19, 2006 9:27 PM
> Subject: Re: Remedial film photography. :)
>
>
> > And, of course, with B&W film, there's a lot more control on the
> > processing
> > end, so one can "over expose" the film, or expose for the shadows, and
> > develop for the highlights, so that there are no blown highlights.  So,
> > for
> > a Q&D example, you can rate TX @ 200, cut back the standard processing
> > time
> > by 25% or so, and get a negative that will print quite well.
> >
> > Shel
> >
> >
> >
> >> [Original Message]
> >> From: John Francis
> >
> >
> >>  Paul Stenquist wrote:
> >> > Your example is extreme, but most films seem to be slightly overrated
> >> > in regard to ISO.
> >>
> >> Hardly.  The ISO testing procedure is well-defined, and rigorously
> >> followed.  If a film says ISO 400 on the box, you can be darn sure
> >> that it will score 400 on the ISO measurement scale.
> >>
> >> But that doesn't mean blindly loading a DX-coded cassette into
> >> your camera, pointing the camera at a random scene, and letting
> >> that determine the exposure will produce the results you want
> >> (even assuming the average brightness of your subject is anywhere
> >> close to 12% grey).  Furthermore, shifting the exposure up the
> >> scale (which is what you do if you rate the film at slower than
> >> the box speed) will decrease noise in the shadows at the cost of
> >> possibly blowing out the highlights, while shifting downwards
> >> towards under-exposure will generally increase colour saturation.
> >> It's all a matter of choosing what effect you want, and then
> >> deciding which film to use, and how to rate it, in order to
> >> get close to that result.
> >
> >
> >
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> >
>
>
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