The 2400 will print on premium luster (along with velvet fine art, my  
favorite Epson paper) or premium semigloss with no bronzing. You  
might see a bit of bronzing on premium glossy.
Paul
On Mar 24, 2007, at 3:54 PM, David J Brooks wrote:

> So i played around again to day. Rainy and s>>>ty so what better  
> thing to do.:-)
>
> Snag still when setting the epson profiles, then i realized i had not
> unzipped the profiles i downloaded during installation, they were
> still on the desktop.
>
> All i was getting was epson rgb etc.
>
> Using those and finally fiquring out i needed to click the icm button
> to get to the colour off switch, i printed out a fifth test picture.
>
> I am using ther glossy papaer, but there is no profile for the plain
> papaer so i used premglos something.
>
> Pretty close. I used a diffrent picture, non horse, with trees and
> bricks and wood doors. The print was very close to the monitor.
>
> I'll get some prem gloss and try again.
>
> Once i;m happy i can get good resuts, i'll inform my past and future
> clients, i have moved into the Epson zone for prints
>
> Thanks for all the help.
>
> I'll have new ?;s i'm sure when i load the Mac.
>
> Dave
>
> On 3/22/07, Godfrey DiGiorgi <[EMAIL PROTECTED]> wrote:
>> Since I had this hanging about, I figured I'd repost it.
>> ----
>>
>> Photoshop CS2 - Epson R2400 color managed workflow on Mac OS X
>> (Windows interface details are slightly different for Page Setup and
>> Print dialogs, but the methodology is identical.)
>>
>> First calibrate the monitor and set up Photoshop CS2's color  
>> settings:
>>
>> Using the Eye One Display 2 and iMatch software, I calibrate my
>> monitor to 140 luminance, 5500K white point and gamma 1.8. Other
>> settings work as well, but these give me a monitor appearance that
>> looks like what I want.
>>
>> Then, in the Adobe Photoshop CS2 'Edit->Color Settings...' dialog,
>> use the "North American Prepress 2" set as a baseline. Customize that
>> to use ProPhoto RGB for color and set the policies to convert
>> embedded profiles to the working colorspace.
>>
>> Whenever you open an image file, either convert any embedded profile
>> to the working colorspace or assign the working colorspace. ProPhoto
>> RGB is bigger than all the other colorspaces so you can do this with
>> zero loss.
>>
>> Then work on your image.
>>
>> Once image adjustment is completed, use "Print with Preview" to setup
>> the print processing. In the dialog, be sure to press the "More
>> Options" button to reach the extended toolset, and pick the Color
>> Management tools from the popup menu. In the Options section, set
>> Color Handling to "Let Photoshop Determine Colors", pick the profile
>> for your printer and the Epson paper you're using, set Rendering
>> Intent to "Relative Colormetric" and leave Black Point Compensation
>> checked. Click the Page Setup dialog and set the printer type and
>> page size, orientation. Use the preview window and sizing to fit the
>> picture to the paper per your desires.
>>
>> Once you've done that, click the Print button. This takes you out of
>> Photoshop's control and into the control of the printer driver. In
>> the Epson printer driver, first go to the Print Settings panel and
>> select the media type (paper type), Advanced Color mode, and Best
>> Photo quality. The next panel to look at is the Color Management
>> panel: here you want to set color management to "OFF" (remember that
>> you told Photoshop that it was going to do the color management).
>> Once done with that, press the Print button.
>>
>> Assuming that your monitor calibration is good and the printer-ink-
>> paper profile is good, you should get a print that looks very much
>> like what you see on the screen. With the R2400, the profiles for
>> Epson Enhanced Matte, Epson Premium Glossy, Epson Premium Luster, and
>> Epson Velvet Fine Art are very very good.
>>
>> Godfrey
>>
>>
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>
>
> -- 
> Equine Photography
> www.caughtinmotion.com
> http://brooksinthecountry.blogspot.com/
> Ontario Canada
>
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