Well, overall I like the vertical better - I think because of the sky.
I'd like the sky in the vertical and the horizontal for the
bridge/river.  Nice shots.

-- 
Bruce


Saturday, April 7, 2007, 8:24:28 PM, you wrote:

BM> Here's three frames of Velvia I shot with the 67
BM> recently.

BM> The first two are of a covered bridge that spans the
BM> Yuba River just east of here. It was originally built
BM> during the Civil War and is one of the longest covered
BM> bridges in existence. It has been rebuilt a number of
BM> times and is no longer open to anything but foot
BM> traffic.

BM> http://www.primelensphoto.com/bridge1.jpg

BM> and landscape:

BM> http://www.primelensphoto.com/bridge2.jpg

BM> Pentax 67II, 55mm, f22, 3 seconds. I had to use both a
BM> ND .9 grad filter AND a polarizer to slow it down that
BM> much. Luckily the sky was smiling on us that morning.
BM> Not a lot of post processing. Just a first pass at
BM> both of these.

BM> Also shot a couple frames of Periwinkles. They are
BM> growing everywhere right now. There was a large
BM> covering of them near the riverbank. This one was the
BM> best:

BM> http://www.primelensphoto.com/periwinkle.jpg

BM> Again with 67II and 55mm. Don't recall what stop or
BM> speed but most likely f4 due to the shallow DOF.

BM> For anyone who's interested (since I'm about to talk
BM> about film processing), I have all of my E-6 now done
BM> through A&I in LA. My local lab used to do 3 hr.
BM> turnaround but, of course, can't afford to anymore
BM> with the falloff in film shooters. A&I does a really
BM> nice job, though. I use prepaid mailers I get through
BM> B&H. They've gone to a smaller box to hold the
BM> processed roll which is too small for 220, IMHO. So
BM> this roll was wound a bit too tightly when it arrived
BM> today. Whatca gonna do?

BM> -Brendan


 
BM> 
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