Putting the horizon straight through the middle isn't always a bad thing, and isn't necessarily here either. You did it with intention and if it's accomplished your goals don't worry about what anyone else thinks.
What I see it doing here is juxtaposing a static composition with active subjects and providing a sense of tension between the elements. It's not something to be overcome, it's something to be used. Cheers, Paul P. J. Alling wrote: > I wanted to thank everyone who commented on this one. It was a bit of > an experiment, to see if bisecting the image with the horizon line could > be overcome with the other elements of the composition. Seems the > general consensus is no. The shot wasn't earth shattering so I'm not > that disappointed. > > P. J. Alling wrote: >> Nothing special just a seascape. >> >> http://www.mindspring.com/~happydogsoftware/PESO%20--%20aseascape.html >> >> Equipment: Pentax *ist-Ds/smc Pentax FA 43mm f1.9 Limited >> >> As usual comments are welcome but may be totally ignored. >> >> > > -- PDML Pentax-Discuss Mail List PDML@pdml.net http://pdml.net/mailman/listinfo/pdml_pdml.net to UNSUBSCRIBE from the PDML, please visit the link directly above and follow the directions.
