Tom,

They were shot with my zx-5n

D

on 11/27/01 5:28 PM, aimcompute at [EMAIL PROTECTED] wrote:

> And the nature of any roll of film is that if there are scratches they will
> be on your best shots.
> 
> What camera did you shoot these rolls with Delano?
> 
> Tom C.
> 
> ----- Original Message -----
> From: "William Robb" <[EMAIL PROTECTED]>
> To: <[EMAIL PROTECTED]>
> Sent: Tuesday, November 27, 2001 2:31 PM
> Subject: Re: question on damaged negs
> 
> 
>> ----- Original Message -----
>> From: "Delano Mireles" <[EMAIL PROTECTED]>
>> To: <[EMAIL PROTECTED]>
>> Sent: Tuesday, November 27, 2001 3:06 PM
>> Subject: question on damaged negs
>> 
>> 
>>> Hi all,
>>> 
>>> I've recently run into some problems with negatives I've
>> received back from
>>> the local minilabs.  There seem to be some scratches on the
>> negatives that
>>> I've received back after developments and prints.  It is a bit
>> weird because
>>> the prints do not show any lines/scratches.  This has happened
>> twice and I'm
>>> concerned whether it be my camera who is the culprit - maybe
>> scratching the
>>> film as it feeds through or the minilab.
>>> 
>>> Is there a way to tell whether the lines/scratches are a
>> result of the
>>> minilab or camera?  I really feel that it is the minilab
>> because of the
>>> prints and the fact that I developed a roll in between  taking
>> rolls to two
>>> different labs and there are no scratches on that roll.  Yet,
>> it seems odd
>>> that I would run into the same problem between 2 different
>> labs.
>>> 
>>> How do these minilab processing machines work?  Do the
>> employees roll the
>>> film on reels and process or does the machine simply take the
>> film and auto
>>> roll?
>>> 
>>> Thanks for any help y'all can provide
>> 
>> Generally, minilabs run the film one roll at a time by taping
>> the film to a leader card which pulls the film through the
>> machine. Depending on the processor and the amount of maintenace
>> it recieves, these machines can do a lot of damage.
>> It is also possible to scratch the film during printing or
>> sleeving.
>> A good way to see if it is the machine or the camera is to look
>> to see where the scratch ends. If it ends at the last frame
>> exposed, it is most likely camera induced. If it goes right to
>> the end of the film, it is likely the lab. If the scratch comes
>> and goes, likely it is the film processor.
>> A good way to pin down the lab on a scratch is to sacrifice a
>> roll of film, and run it through the camera, then pull the film
>> entirely out of the cassette and check for scratches. If the
>> film is unscratched, run it through the film processor and check
>> again for scratches. If the film still shows no scratches, run
>> it through the printer and check again. Finally run it through
>> the sleever.
>> 
>> <unrelated to the topic>
>> From a lab operators perspective, film scratches are,
>> unfortunately, directly related to how demanding the
>> photographer is. The more demanding the photographer, the more
>> redo prints we make. The more times the film is run through the
>> machinery, the more chance there is of scratching it. I think it
>> is better to take a slightly substandard machine print to avoid
>> scratched negs than to insist that every speck of dust be gone
>> and that the shadow side of Aunt Jemmy isn't slightly magenta.
>> The nature of minilabs is such that it is difficult to provide
>> perfect prints first time. The nature of negatives is that they
>> will scratch in direct proportion to their value.
>> </unrelated to the topic>
>> William Robb
>> -
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