----- Mensaje original ----

> De: Stan Halpin <s...@stans-photography.info>
> Asunto: PDML Annual-2010 ?
> 
> Mark (or anyone) - has the info been put out re: timeframe for submission for 
> the PDML Annual? And other details?
> 

Stan,

I archived the following message:

----- Mensaje reenviado ----
> De: Mark Roberts <m...@robertstech.com>
> Para: Pentax-Discuss Mail List <pdml@pdml.net>
> Enviado: dom,6 septiembre, 2009 14:58
> Asunto: ANNOUNCEMENT: The 2009-2010 PDML Photo Annual... and exhibit
> 
> 
> The release of next year's PDML Photo Annual will coincide with an
> exhibition of photos from the book at the Dank Haus gallery in
> Chicago, Illinois, USA, May 7th through June 12th, 2010. 
> 
> After much planning and discussion, the PDML's own Christine Aguila
> succeeded in facilitating an agreement between Dank Haus Gallery in
> Chicago and the editors of the PDML Photo Annual (and considering that
> the "editorial staff" includes myself, Bill Robb, Doug Brewer and
> Scott Loveless, that's quite an achievement!) for an actual exhibit of
> physical prints to celebrate the publication of the next book. As
> you'll see, this wasn't as simple as one might think. Read on…
> 
> First, the book itself. 
> 
> The last book was quite a rush project, and having the image
> submission period extending through the Thanksgiving-Christmas holiday
> season didn't make it any easier. So we've decided to push it back
> this time around, which will also get the book release closer to the
> time-frame of the gallery exhibit (which was slotted in the only
> workable dates the gallery had open). Image submissions will be
> accepted (via a web site as before) from January 1st through February
> 28th. 
> 
> Any PDML member in good standing of January 1st will be allotted one
> photograph in the book. Members will be permitted to submit up to
> three photographs for the book, to give the editors more latitude for
> creating a cohesive presentation. Those who want to be the sole
> determinant of what image they get into the book can do so by
> submitting just one image. Those who make the editors' jobs easier by
> submitting two or three images will receive our undying gratitude, at
> the very least :)
> 
> The book is slated to be edited and completed electronically by the
> middle of March and the editors should have proofs in hand about two
> weeks later. If the proofs look good, the book will be available to
> PDML members immediately. (If revision is necessary there will be a
> delay of another two weeks or so.) "Official" publication will be on
> May 7 when the exhibit opens.
> 
> The Exhibit
> 
> The exhibit curator will be Sue Barton, curator of Dank Haus Gallery
> and chair of the Dank Haus Fine Arts Committee, who will select
> approximately 40 images from the book for display. Obviously, we
> expect to have more than 40 photos in the book so, equally obviously,
> not everyone will have their photograph represented in the exhibit.
> Much as we'd like to show everyone's photo, it just isn't physically
> possible. The final arbiter of photos chosen for the exhibit will be
> Sue Barton of Dank Haus.
> 
> To insure consistency and quality of prints, I will be making all the
> prints here. We can't be shipping prints all over the planet and, more
> importantly, Sue Barton isn't willing to put on an exhibition of
> prints based on web images unless she knows the prints will be
> consistent and is familiar with work of the printer. (The only
> alternative would be for people to ship prints to her for
> evaluation/selection and that's clearly a non-starter.)
> 
> I'll print on either Hahnemuehl Fine Art Pearl or Ilford Gold Fibre
> Silk paper. Sizes will be approximately 8 x 12 or 12 x 18, as decided
> upon by the curator based on technical quality and artistic
> considerations. 
> 
> Framing will be done in Chicago. Christine Aguila has been doing a lot
> of leg-work on this and has succeeded in getting several framing shops
> to bid on the honor of doing the job. No kidding. This will assure us
> of getting very good pricing.
> 
> Yes, you're going to have to pay for the printing and framing if you
> want to be in the exhibit. But the good news is that what you pay will
> be less than you could possibly get the same quality work done for
> yourself. A lot less. (I'm paying over $200.00 per 12x18 print for
> good framing these days. I expect the PDML price will be about half
> that, possibly less.) Prices will be definite by the time the image
> submission period begins.
> 
> Sales of prints at the exhibition: Yes, you might even make a profit
> from this deal. Those whose photos are selected for the exhibition
> will have the option of offering the print for sale at the gallery.
> This will be subject to the gallery's standard terms (most
> importantly, their commission!), which Sue Barton will describe in
> detail before this whole thing goes on line. 
> 
> In lieu of signing the prints that are offered for sale (not possible
> with this centralized printing scheme), artists will be able to
> provide a "Certificate of Authenticity" for their print. This will be
> emailed out as a PDF or JPEG, to be printed out and signed by the
> photographer and mailed back.
> 
> The price PDML members pay for printing & framing will not include
> return shipping after the exhibit (for obvious reasons: Varying size,
> weight and destinations, as well as the possibility that the print
> might sell at the exhibit). You will be able to pick up your print in
> person when the exhibit ends or make arrangements with the gallery to
> have it shipped to you.
> 
> If any of this seems unacceptable to you, for cost or some other
> reason, fear not: There's no requirement that you participate in the
> exhibition part of the project. When you upload your photos for the
> book, you will have the option of making them eligible for the gallery
> exhibition (or not). Either way, you'll be represented in the PDML
> Photo Annual.
> 
> 
> (Oh yes, the 2008/9 book is still available:
> http://www.blurb.com/bookstore/detail/573542)
> 
> 
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