A tired quip,I know, but..."To be known as a great photographer, you must throw 
away those that are only good."

Sorry if a thread distraction!

Jack 

--- On Thu, 5/13/10, Jerry in Arizona <glewis4...@yahoo.com> wrote:

> From: Jerry in Arizona <glewis4...@yahoo.com>
> Subject: Re: What Makes a Good Photograph? Was: Chicago
> To: pdml@pdml.net
> Date: Thursday, May 13, 2010, 8:50 AM
> John, I think you are right on the
> money.
> 
> 
> From: John Sessoms <jsessoms...@nc.rr.com>
> To: pdml@pdml.net
> Subject: Re: What Makes a Good Photograph? Was: Chicago
> Message-ID: <4bec1a38.2040...@nc.rr.com>
> Content-Type: text/plain; charset=ISO-8859-1;
> format=flowed
> 
> Stick my two cents in here ... for whatever it's worth.
> 
> I'm one of those who doesn't "get" Eggelston. To me his
> work looks like 
> a compilation of discarded snapshots purchased from yard
> sales and flea 
> markets.
> 
> But it's a matter of taste. Some people appreciate it, some
> people 
> don't. Same could be said about any photographer. Annie
> Liebowitz has 
> her fans ... so do Tony Sweet and Ken Rockwell.
> 
> For me, a "good photograph" evokes a response from the
> viewer - it could 
> be an emotional response or an intellectual response, but
> it evokes 
> SOMETHING from the viewer other than boredom.
> 
> That's why it's so hard to define a "good photograph",
> because what 
> evokes a response from me might not evoke one from you.
> There seem to be 
> some photographs that are universally acclaimed, some that
> are not.
> 
> How do you catalog the characteristics of those universally
> acclaimed 
> photos to define goodness? What minimum of those
> characteristics are 
> required for a new work to automatically become a "good
> photograph"?
> 
> I don't think anyone has yet found the surefire recipe.
> 
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