I'm talking old school here. One of the reasons that Tilt isn't so
important is because of the increased DOF inherent at any f stop when
using a small sensor/film area vs a large. Focus stacking was not an
available option to anyone before the digital age. It's /still/ easier
to achieve if you do it in the Camera even today. Both focus stacking
and small apertures for DOF assume a static subject, so I see no
particular advantage, except for diffraction effects, which are also
correctable with software. So really either way we're talking about a
highly manipulated image.
On 9/18/2010 9:56 AM, Adam Maas wrote:
Other way around actually. Tilt is very difficult to replace when used
to increase DOF in any situation where you have movement (you can use
focus stacking when there is no in-frame movement). Shift is easily
replaced by a wider lens and perspective correction in post.
-Adam
On Fri, Sep 17, 2010 at 11:44 PM, P. J. Alling
<webstertwenty...@gmail.com> wrote:
Shift is more important in "miniature" cameras than tilt. But hell what do
I know.
On 9/17/2010 3:01 PM, Ken Waller wrote:
I'll bet even this would be a lot less expensive if you can find one...
Why would you want one ? its not a tilt/shift.
Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller
----- Original Message ----- From: "P. J. Alling"
<webstertwenty...@gmail.com>
Subject: Re: 50 and 90mm Tilt-shift lenses from Schneider Kreuznach for
Kmount (and other mounts)
On 9/17/2010 3:58 AM, Thibouille wrote:
Interesting I guess.
http://k-rumors.com/new-schneider-kreuznach-tilt-shift-lenses-with-k-mount/
These would be a boon to architectural photographers, except that even on
35mm film the focal length's are a bit long to be really useful. On APS-C
sized sensors they seem just silly especially for the price. I'll bet even
this would be a lot less expensive if you can find one...
http://www.bdimitrov.de/kmp/lenses/primes/wide-angle/K28f3.5-Shift.html
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