On Thu, Sep 23, 2010 at 9:34 AM, Matthew Hunt <m...@pobox.com> wrote:
> I feel the same way whenever I see CGI shots with 18 elements' worth
> of simulated lens flares.  Just simulate a perfect lens, OK?  Or at
> least upgrade your simulated coatings.

This is a thought provoking point. I remember watching the extras on
the J.J. Abrams "Star Trek" DVD an explanation of how they introduced
camera shake and lens flares into the video and showed a scene with
and without it to underscore the difference. Thought-provoking because
our eyes don't see flare, but we have been conditioned to see lens
flare when a camera or video lens gets too close to a bright light
source. Which means that it doesn't "look right" to us without it.
That means that our mind has inserted a piece of technology (a lens)
between us and our minds-eye view of something. Now that's video, and
the same doesn't necessarily apply to still photography... or does it?

Our eyes don't necessarily do a lot of things that we look for in a
pleasing imagery. We don't pay conscious attention to "bokeh" in our
vision, but that doesn't mean that our subconscious mind ignores it,
for example. We find motion blur conveys information that aren't
really what a snapshot in our mind necessarily sees. You can probably
think of many more examples, like turning color images to monochrome
(or sepia), etc.

"Defects" do not necessarily equal subpar imagery. Nor do they equal
imperfect technology if it is the LOOK of imperfect technology that
the creator is seeking, by purposely modifying his process to mitigate
"perfection".

Reminds me of distressed furniture. I think our eyes unconsciously can
see when something is genuinely distressed or artificially distressed.
In fact, author/Windsor Chair maker & instructor Michael Dunbar has
had a two-part article on the subject of genuine furniture wear and
how to achieve it in upcoming issues of Popular Woodworking magazine.

Anyway, I appreciated the thought provoking post, even if I disagree
with the point.

Darren Addy
Kearney, Nebraska
-- 
Nothing is sure, except Death and Pentaxes.

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