Damn-it John. You keep giving critiques like this and I'll learn
something about photography!
Regards,  Bob S.

On Sat, Jan 22, 2011 at 3:21 PM, John Sessoms <jsessoms...@nc.rr.com> wrote:
> From: John Sessoms
>>
>> From: "Christine  Aguila"
>>>
>>> > I've been sitting on this one, wavering.  Comments welcome.  If you
>>> > don't
>>> > like it, feel free to say so.  No prob.  Cheers, Christine
>>> >
>>> > http://www.caguila.com/caguila/chicagofog2/content/_IGP5487_large.html
>>> >
>>
>> The sepia rendering gives it a very nostalgic, antique feel. If you
>> don't look too closely at some of the details it might be a view of the
>> early 20th century instead of the 21st.
>>
>> I like how the clouds come down between the upper stories of the
>> buildings framing the street.
>
> I know you're not supposed to respond to your own posts, but I wanted to add
> that I find the image evocative of both Stieglitz and Steichen in their
> photographs of the Flatiron Building in NYC.
>
> I like the way it's off center. The intersection is at a point of strong
> emphasis, the verticals of the University Club building on the right side of
> the street and Michigan Ave in front of it lie closely on the line of
> "thirds", and there's an implied horizontal "third" where the barely visible
> roofline of the the fog shrouded building on the right just tops the trees,
> extending across to the ornamental frieze atop the University Club building.
>
> The painted lines on Monroe street, the curb on the right, the descending
> diagnal repetition of the globes on the street lamps all draw your eye to
> the street between the buildings. The oncoming headlamps and hint of
> clearing skies in the distance are the brightest elements in the image,
> capturing the viewer. The brighter sky is an arrow pointing down into the
> street.
>
> No matter where you first enter the image, there's an element that leads you
> to the the center of attention on the street down between the buildings.
>
> This is a DAMN GOOD photo Christine!
>
>
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