Well, it's a nice picture; you seem to have conquered the tonal-range
issues with the tools available.  I suspect it might benefit from
punching up the greens, either with the vibrance control or maybe just
a nudge on the green slider. -T

On Fri, Mar 25, 2011 at 5:01 PM, Larry Colen <l...@red4est.com> wrote:
> The dynamic range of the K-5 is amazing, but making use of it is not trivial. 
> Both yesterday and today, I got some photos of the river gorge, with some 
> cloud action going on in the background. When I shot them, I bracketed, but 
> rather than using photoshops HDR feature I fussed, fumbled and frobbed the 
> controls in lightroom to try to keep detail in both the sky and the valley.
>
> I'm almost satisfied with the way that this one came out:
> http://www.flickr.com/photos/ellarsee/5559355279/in/set-72157626352846496/
>
> The challenge seems to come from there basically being a bi-modal 
> distribution, where I've got a lot of pixels all of the way to the right of 
> the histogram, and another bunch all of the way to the left. I almost need a 
> tone curve that is very steep on the right 10% of the values, and then more 
> or less linear to that point, or possibly also fairly steep on the left, 
> flattish in the middle and steep on the right.
>
> I'm sure that the way to do this involves both exposing to get the shot, and 
> then some specific tricks in lightroom to pull out the data.  Any suggestions 
> folks?  Or am I much better off just using photoshops HDR tools, and getting 
> a wide bracket?
>
> I did try putting the camera in bracket (about two stops), setting the meter 
> on the sky in Manual, composing, taking my bracketed shots, then hitting the 
> green button to bracket on the foreground, so I've got two sets of bracketed 
> shots, one for the sky and one for the foreground.
>
>
>
> --
> Larry Colen l...@red4est.com sent from i4est
>
>
>
>
>
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