On Sun, May 29, 2011 at 3:13 PM, Don Guthrie <[email protected]> wrote:
> This is an excellent portrait, obviously well thought out and posed,
> I saw your name linked to the Ricoh on another photo blog but can't
> remember where. Is it the portability you like or is it the modular
> system? You take a lot of good pictures so I can't believe the quality
> has anything to do with cameras.

Thanks for the compliment, Don!

A quality camera is important to making good pictures, but it does
present the smallest part of it, I agree.

I wrote a little meditation on the Ricoh earlier today ...

::
This was the state I'd reached in my film camera days at end: a Nikon
kit of two bodies, five or so lenses for maximum versatility. A Leica
kit of two bodies and three lenses for when silent operation and an
optical viewfinder had advantage. A Rollei 35S for when compactness
and handiness were paramount. All three the same format, all three
capable of producing the same level of quality results. Medium format
cameras for a higher standard - subminiature for a more limited yet
unique imaging standard. The imaging qualities were defined by the
format and the recording medium primarily.

Then digital happened. My perception after years of work: the imaging
qualities are defined mostly by the rendering process and to a lesser
extent by format. Pixel resolution, once past a useful plateau (for
me, around 6 Mpixel because of the size print I prefer), diminishes in
importance to dynamic range and sensitivity, these qualities
constrained by the technology of the photosite receptor and its size
to first order.

The frustration has been to find cameras that suit as well as what I
once had in film cameras with this new playing field in recording
technology and rendering capability. Compacts with their very small
sensors and limited DR, very deep DOF, and inescapable lack of
sensitivity have not been able to replace the Rollei 35 or
subminiatures. Versatile, high quality RFs have become pigeonholed at
stratospheric pricing into a very niche prouct: much as I'd like one,
a Leica M9 is too limited for the $20,000 I'd need to spend to obtain
the body and three lens kit I once had. MF digitals have been out of
the question for similar cost reasons. DSLRs have followed on from the
35mm Film base the most successfully and finally approach the
quality/cost domain I once had but with the same issues of SLR size,
weight, operating noise, etc, which is why I used to have the RFs and
compacts alongside.

Now with mature DSLR systems and compact/intermediate cameras like the
GXR (and with the GXR's variable sensor size design tailoring the
sensor/lens combination to achieve a usefully compact and still handy
form factor), it seems I can finally get the tools I've been looking
for back again with only two systems to manage, not four.

This means that I can finally get past the equipment hunt and back
into the Photography hunt again. The tools are now versatile enough,
their output quality good enough, that further development represents
just optional plus rather than desperately needed capability. I can
put their development into the background of my thoughts and put the
subject back where it belongs into the spotlight.
::

The GXR was interesting as it fit the small form factor/quality sensor
idea I was looking for while offering more lens versatility than the
fixed lens offerings in the class (Fuji X100, Leica X1, Sigma DP1/DP2)
while not so much as the Micro-FourThirds offerings. Ricoh's always
been a quirky company producing excellent cameras with their own twist
... the GXR is no exception. Having been through the Panasonic G1 and
deciding I wasn't really thrilled with the direction Panasonic was
going with their follow on cameras (the GF1 and GF2 don't fit my hands
well), I was thinking of the Olympus Pen E-PL2 when someone mentioned
this camera. The more I read about it, the more intrigued I became. I
bought one if for no other reason to try it out and evaluate it ... I
find it is a truly excellent performer and does a good job of getting
out of the way. And on we go from there.

-- 
Godfrey
  ..."Equipment often gets in the way of Photography."...

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