I have a smc pentax k 28mm F3.5 that is razor sharp with no CA from corner
to corner on aps-c digital so its not the wide, its the lens.

-----------------
J.C.O'Connell
hifis...@gate.net
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-----Original Message-----
From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Zos Xavius
Sent: Wednesday, March 13, 2013 6:38 PM
To: Pentax-Discuss Mail List
Subject: Re: K-5 and over exposure?

Older wide angles are generally not corrected well for digital. Heck even
the 12-24 is a CA prone lens, though it is easily correctable. WA is tough
on digital due to the angles. My tamron 28mm had bad aberations on the
borders. On full frame it would likely be a disaster.

Peter McIntosh <peter...@gmail.com> wrote:

>I've got an old Vivitar 24mm prime that over-exposes on my K5 - I
>usually set compensation to -1 stop when I use this.  Which is rarely
>because the CA with this lens is awful...
>
>Haven't had it with any of my other lenses - 18-135 zoom, A 28mm
>f/2.8, A 50mm f/2.0, Sigma 70-200 f/2.8 HSM.
>
>Ciao,
>
>Pete Mac in Melbourne
>
>
>
>On 14 March 2013 08:30, Zos Xavius <zosxav...@gmail.com> wrote:
>> Is anyone finding that their k-5 leans towards over exposure?  I
>often have to use -.7 to -1 ev compensation. I find this consistent
>across old glass. With the kit lens and thr 12-24 it seems to do a bit
>better, but  still overexposes at  times. I  generally use matrix
>metering. Even in well lit scenes in daylight. Sometimes  with the same
>glass it works fine at , but I'm forced to chimp constantly to look for
>overexposure. Also the meter seems to jump around on the same scene. I
>tried some shots between  my k-7 and it was  matching settings, so I 
>can't decide it  my meter is working properly.  There  is generally  a
>1ev difference  if  I  compare  to live view  with  live view giving
>the correct/better exposure reading.  Any  thoughts  from you guys? I
>bought  this k-5 six months ago and I don't remember making  -.7 the 
>norm  on my k-7. I  usually  only had to  add negative compensation at
>night on that camera....
>>
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