Hitchcock, Rear Window. And the last scene of In The House, by Francois Ozon.
B On 5 Jun 2013, at 22:43, Marco Alpert <ma...@alpert.com> wrote: > Thanks for commenting, Bruce. For better or worse, I'll admit that the > framing's unbalanced quality is intended. > > I have been following the Arne Svenson controversy. The whole situation is > quite fascinating and raises lots of complex questions about what passes for > privacy these days. Made just a bit more complex by how good the photos are. > > - Marco > > > On Jun 5, 2013, at 2:00 PM, Bruce Walker wrote: > >> I like the silhouette and light. Blame me for too conventional >> thinking, but the composition doesn't work for me: too unbalanced. My >> fingers reframing suggests that I'd like it more with the streetlamp >> cropped out. >> >> Btw, have you been following the controversy regarding the New York >> photographer who has been shooting through people's windows? >> >> http://www.guardian.co.uk/commentisfree/2013/may/22/new-york-photos-through-windows-art-privacy >> >> >> On Tue, Jun 4, 2013 at 11:38 PM, Marco Alpert <ma...@alpert.com> wrote: >>> And another: >>> >>> http://www.alpert.com/marco/photo13/peso3.html >>> >>> Comments, as always, welcomed. >>> >>> -Marco >>> >>> --------------- >>> http://www.alpert.com/marco > > > -- > PDML Pentax-Discuss Mail List > PDML@pdml.net > http://pdml.net/mailman/listinfo/pdml_pdml.net > to UNSUBSCRIBE from the PDML, please visit the link directly above and follow > the directions. -- PDML Pentax-Discuss Mail List PDML@pdml.net http://pdml.net/mailman/listinfo/pdml_pdml.net to UNSUBSCRIBE from the PDML, please visit the link directly above and follow the directions.
