I don't do formal portraits, so the lighting is the way it is. ;-)  I take a 
photograph of each of my students (75% are African American) on the first day 
of class, using ambient (lousy) classroom lighting and a fast lens. 

Jeffery


On Jul 12, 2013, at 9:18 AM, Darren Addy <pixelsmi...@gmail.com> wrote:

> Virtually all of the answers so far have focused on exposure only and
> not lighting. I found this article to be very informative.
> http://www.nyip.edu/photo-articles/archive/photographing-people-of-color
> The secret is to create "lots and lots of highlights" on dark skin.
> This can be done with reflectors or side lighting.
> 
> From experience, I know that using a strobe from the side would also
> be very effective if a wedding dress was in the photo. The side light
> shows the dress in relief (which highlights and preserves folds and
> details). In fact, a single on-camera strobe is probably the worst way
> to show off a white wedding dress.
> 
> On Fri, Jul 12, 2013 at 8:54 AM, Jeffery Smith <jsmith...@gmail.com> wrote:
>> I adjust lighting accordingly (the meter reading will try to make them Zone 
>> VII) so that all of their facial features are clearly visible and pleasant.
>> 
>> Jeffery
>> 
>> 
>> On Jul 12, 2013, at 12:58 AM, Larry Colen <l...@red4est.com> wrote:
>> 
>>> It is discussed briefly in Light, Science an Magic.
>>> 
>>> In short, either increase exposure, or take advantage of reflections.
>>> 
>>> 
>>> On Wed, Jul 10, 2013 at 10:31:14PM -0400, P.J. Alling wrote:
>>>> I have nothing to share except that a mix of skin colors is nothing
>>>> compared to a black bride in a white dress.
>>>> 
>>>> On 4/20/2013 12:15 PM, Bipin Gupta wrote:
>>>>> Request please share resources for photographing dark skinned people.
>>>>> There is still a greater challenge, that of photographing a group of
>>>>> people  with yellow, brown, white, black skin or every other races of
>>>>> mankind.
>>>>> Regards.
>>>>> Bipin - from that far away enchanting land.
>>>>> 
>>>> 
>>>> 
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>>> 
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