Hey, thanks Derby! Intimate is what I'm going for. I wasn't setup for
the full high-key Hurley look though; next time. I do love Hurley's
work.

I agree with complaints about the fingers. The pose was dictating the
framing but I was set on tight, so I compromised. When I retry that I
will re-pose or re-frame rather than crop fingers. I have some other,
looser, shots I will work on but none with that expression I so liked.


On Tue, Aug 27, 2013 at 7:27 AM, Derby Chang <der...@iinet.net.au> wrote:
>
> Just saw this. I like the current style of cropping the top of the head.
> Peter Hurley-esque. It makes the portrait intimate, I think. Not too sure
> about the crop on the fingers though
>
> Gorgeous lighting, nonetheless
>
>
>
>
> On 21/08/2013 2:46 AM, Bruce Walker wrote:
>>
>> Background wrinkles rankle, as do blue nails. Both gone! Have another look
>> ...
>>
>> http://flic.kr/p/fy42fh
>>
>> A straight-forward "studio" portrait of my niece, Sophie. Shot on
>> location in my sister's living room (she's a champ to put up with me
>> rearranging the whole thing).
>>
>> I was also testing my latest money-saving invention: $10 IKEA
>> background support system. Ingredients: One Hugad black curtain rod,
>> 210-385 cm; 2x Betydlig curtain rod brackets, top-slot filed out to
>> fit 1/4" stud on top of light stand; use with two cheap 8' light
>> stands.
>>
>> K20D, DA* 50-135/2.8 @ 90mm/f:5, 1/160th, ISO 100;
>> Lr + Ps + Nik + Portraiture
>>
>> Paramount short lighting with reflector fill. AF540FGZ in Westcott
>> Medium Apollo above-left, key; AF540FGZ in 30" umbrella softbox,
>> boomed above behind-right, hair; 42" silver reflector, right.
>>
>> Comments welcome!
>>
>
>
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