Bruce, the grammarian, strikes!
ann(oh did i really say than and don't worry it's only the editing I'm
doing)san
On 8/27/2013 14:31, Bruce Walker wrote:
Ann! Please! Put the gun down and back away from the keyboard.
;-)
On Tue, Aug 27, 2013 at 2:27 PM, Ann Sanfedele <ann...@nyc.rr.com> wrote:
ah yeah I see what you mean about your stuff...
But when I say I _shouldn't_ be here it's because of WORK! - remember
(that's not a real question) last month when I said if I had to go through
400 wedding photos I'd shoot myself? -- alas, looks like I'm doing that...
Terrible lighting coniditions - TOO MUCH light! ugh...
But I'm richer by a K-5 and that makes it worth while
ann
On 8/27/2013 11:48, Paul Stenquist wrote:
Of course you should be here, Ann! I agree that more blur in the corn
would be nice, but it's shot wide open, so that's as good as it gets without
manipulation. And I usually don't like artificial blur in backgrounds, plus
doing it right is a lot of work.. The magazine art directors will have their
way with it anyway, probably strip it out or do something horrid to it. The
car owners who buy prints are happy if their car is sharp, and I don't
charge enough to warrant lots of post manipulation.
.
On Aug 27, 2013, at 10:41 AM, Ann Sanfedele <ann...@nyc.rr.com> wrote:
I shouldn't even be here but --
my two cents is that the degree of blurriness of the cornfield isn't
enough - or should be totally sharp. I agree about the tree.
don't mind the corn slant.
ok back underground
a
On 8/27/2013 08:02, Brian Walters wrote:
Quoting Paul Stenquist <pnstenqu...@comcast.net>:
I'm a bit torn here. Among my shots from the Mopar Nationals are some
profiles sot on a road next to a cornfield. I'm locked into just a few
shooting sites at this event due to the size of the crowd and limited
access to other venues, so this cornfield and the parking lot next to
it is my best choice. Unfortunately, the road and cornfield don't
share the horizontal. I either render profiles with the road going
downhill and the cornfield level or the rod level and the cornifield
descending (the way it actually is). Here's a shot rendered in that
manner:
http://photo.net/photodb/photo?photo_id=17510003&size=lg
Do you find the horizontal mismatch distracting?
Not especially. I probably wouldn't have noticed if you hadn't pointed
it out.
The dead tree in the background is more distracting to my eye but not a
lot.
Cheers
Brian
++++++++++++++++++++++++++++++++++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/
Doesn't mayer much for the magazine because it will probably be
stripped our if used large, but when making prints for car owners,
it's a consideration.
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