For me - the tighter I cropped the more intriguing it became. I first saw the the whole shot and was ok with it. As I zoomed it in (cropped) the look on her face came to dominate and totally took over the shot. Quite a capture of an expression. For me a crop at about the elbow works best to maintain context and let the expression grab your attention.
-- Bruce Sent from my iPad On Sep 7, 2013, at 6:46 PM, knarf <knarftheria...@gmail.com> wrote: > Ignore the fact that this is on Knarf Does Kolor (long story not worth > getting into). > > I came across this one taken three or four years ago. TriX in the Leica CL. > > I haven't looked at it in years. Might be one of my all-time favourite photos > (that I've taken), so I thought I'd repost it: > > http://knarfdummyblog.blogspot.ca/2009/12/blog-post.html?m=1 > > Hope you like. Comments welcome. > > Cheers, > frank > “Analysis kills spontaneity.” -- Henri-Frederic Amiel > > > > -- > PDML Pentax-Discuss Mail List > PDML@pdml.net > http://pdml.net/mailman/listinfo/pdml_pdml.net > to UNSUBSCRIBE from the PDML, please visit the link directly above and follow > the directions. -- PDML Pentax-Discuss Mail List PDML@pdml.net http://pdml.net/mailman/listinfo/pdml_pdml.net to UNSUBSCRIBE from the PDML, please visit the link directly above and follow the directions.
