All good. I have maybe a slight preference ordering: - 50-135 - 16-50 - 60-250 but they all feel good, work well, and the 16-50, plus either of the others depending on the venues you shoot in, is about all the lens anybody really needs.
stan On Sep 10, 2013, at 8:17 AM, CollinB wrote: > I've seen some awfully nice renderings from the DA* 16-50/2.8. Quite > impressive. > Just out of my price range at the moment. > But I wonder ... what's your favorite? > > > -- > PDML Pentax-Discuss Mail List > PDML@pdml.net > http://pdml.net/mailman/listinfo/pdml_pdml.net > to UNSUBSCRIBE from the PDML, please visit the link directly above and follow > the directions. -- PDML Pentax-Discuss Mail List PDML@pdml.net http://pdml.net/mailman/listinfo/pdml_pdml.net to UNSUBSCRIBE from the PDML, please visit the link directly above and follow the directions.
