Hi,

I already indicated my number one and two favourites from this month's
PUG.

I really liked the gallery as a whole (like usual), but here are a few
more that really caught my eye:

"High Adrenalin" by Dan Mills:

I love the pattern formed by all those looping, intersecting tracks and
supports.  And, you caught the rollercoaster at ~just~ the right moment,
capturing the fury and excitement of the ride.  What lens did you use?
(you didn't mention it in your description)

"California Adventure" by Steve Larson:

Wow!  Everything works so beautifully!  The last glimmer of twilight,
the sky almost completely dark on the right, the bright lights of the
amusement park, mirrored on the water.  It really captures what an
amusement park is to me:  fantastic whirling bright neon lights on a hot
summer night.  I don't know if it was a hot summer night when you took
it, but I got that feeling from looking at it.  Terrific!  Thanks.

"Lines" by Bernd Scheffler:

This almost seems a study in artistic perspective.  It's the placement
of the two people that really make the shot.  The patterns of the paving
stones, the patterns of the lines, I don't know, there's just a very
surreal feeling to the whole thing that I really like.  It's one of
those photos that I can't really explain why I like it so much, I just
do!  I think I'd like it a bit more if it were a little brighter, but
that's only a small criticism;  the composition more than makes up for
that little shortcoming.

"Vis-a-Vis" by Andreas Busse:

Here's another almost surreal photo that I'll have trouble putting my
feelings into words - I just know I like it a lot!  I have no idea what
these two objects are, but they look so stark standing there.  Not
knowing what they are makes me look at the composition all the more:
the horizon bisecting the image, the shadow of the foreground object
seeming to point out toward the background object.  The beautiful deep
blue sky.  It just works very well for me as an almost abstract study in
perspective and geometry.  Thanks for posting it.

"Blue Winter" by Johan Blixhavn Moeland:

It looks so incredibly cold and forbidding!  Maybe it's those bushes,
which appear to either be bent over from a cold wind.  Or, are they the
tops of trees just peaking out from the top of blowing snow?  Whatever,
they are all that's there to break up about the bleakest landscape I've
ever seen!  I love the blue snow, graduating from dark to lighter, I
love the sky, the last moments of twilight (or is it the first moments
of daybreak?) with the horizontal dark strips of cloud.  While the
patterns and colours are beautiful, I think what mesmerizes me the most
is that this is one of those photos that I stare at, and try to figure
out what's going on;  I try to make up a story or mental image of where
it is, what time of day it is, what the few objects in it are.  Then I
give up, and just appreciate it's incredibly stark beauty in and of
itself.

Well, my dinner's ready.  Maybe I'll comment on a few more in the
upcoming days.

regards,
frank

--
"The optimist thinks this is the best of all possible worlds. The
pessimist fears it is true." -J. Robert
Oppenheimer
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