With the PZ-1p, you can turn off auto-rewind with a PF setting (set PF 12 to
1).

Len
---

-----Original Message-----
From: Fred [mailto:[EMAIL PROTECTED]]
Sent: Friday, July 26, 2002 11:36 AM
To: [EMAIL PROTECTED]
Subject: Re: Upgrading to auto focus


> Given that I have a pretty nice suite of lenses for my Super
> Program and most of the Pentax auto focus cameras are backwardly
> compatible, staying with Pentax seemed natural.

I also have toyed with the idea of picking up an autofocus body to
experiment with (gasp! - say it ain't so, Fred), being a primarily
manual focus guy so far (all of my bodies are manual focus except
for a couple of collector MEF's) (and my experiments with some of
the "primitive" autofocus-within-the-lens-itself lenses such as the
VS1 200/3.5 and the Ricoh 50/2 don't really count).

I have to admit that my autofocus interest has been piqued a bit by
the ZX-5n's that my wife and my daughter-in-law now use - the ZX-5n
seems like a reasonably good body, sort of like a Super Program with
autofocus.  Well, sort of.

However, I do have some strong concerns about certain, um, er,
"features" that might possibly be forced on me by some of the
autofocus bodies.  To me, one of the most disquieting (no pun
intended) characteristics of some autofocus bodies would be the
automatic rewind at the end of a roll.  So, my number 1 question is:

#1.  Which specific past and present autofocus Pentax bodies allow
the ~user~ to determine when the spent roll of film is rewound back
into the cassette?  (I'd most like to arrive at a list of bodies to
choose from, starting with the SF1/SFX - actually, I think the SF1
does look like a pretty interesting body.)

To me, using in a required-to-be-quiet environment a camera
programmed to automatically rewind noisily at the end of the roll is
pretty similar to using a P&S with built-in flash that can't be
turned off (or that the user doesn't know how to turn off) in a
"visually quiet" environment.

But I digress...

Fred
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