Len,
I have no doubts that you can make 16x20 prints from 3MP camera that would kick
medium format's ass <VBG>

Mishka

P.S. No, I don't have a digicam. However I have used a few, so I do have some
first hand experience.

-----Original Message-----
From: "Paris, Leonard" <[EMAIL PROTECTED]>
To: "'[EMAIL PROTECTED]'" <[EMAIL PROTECTED]>
Date: Thu, 29 Aug 2002 11:05:41 -0500
Subject: RE: Digital vs.FILM: will digital cameras lose the war?

> 
> I am sometimes bothered by folks that have not really tried digital making
> major judgements about it based on second or third hand knowledge, hence my
> post.  I've been using digital cameras for quite a while now.  I find that,
> like film and film cameras, you have to take some time to learn the
> equipment and the medium before you get good results.  There are plenty of
> bad results from film cameras that I could use to make sweeping statements
> concerning film in general but you won't hear me making them because I know
> that the skill of the photographer counts more than the equipment she/he
> uses.
> 
> To make a statement like, "For many pro photographers, quality is less of an
> issue than convenience" does a serious disservice to professional
> photographers and the editors, art directors, and others that select and
> publish their work.  I don't know any professional photographers that are
> not concerned with quality.  Just because some news photos were shot under
> appalling conditions and the editors decided to publish what they got does
> not mean quality was not an objective.
> 
> Len
> ---
> 
> 
> -----Original Message-----
> From: Rob Brigham [mailto:[EMAIL PROTECTED]]
> Sent: Thursday, August 29, 2002 10:00 AM
> To: [EMAIL PROTECTED]
> Subject: RE: Digital vs.FILM: will digital cameras lose the war?
> 
> 
> For many pro photographers, quality is less of an issue than
> convenience.  News and Sports snappers need the shots fast and details
> like this don't matter.  Studio Photogs can control the lighting and
> avoid the situation.  Where the problem is more prevalent is for
> landscapes and architectural photography I would think.  Interiors of
> churches and the like can be a real problem even with film, where
> natural light coming through windows 'whites out' and/or shadows block
> up.  Many digi cameras can be set to partially avoid this by shooting
> with massively low contrast and then correcting later.  I think this
> often results in more noise and/or loss of detail in shadow areas though
> as everything is recorded as 'a bit grey'.
> 
> > -----Original Message-----
> > From: Paris, Leonard [mailto:[EMAIL PROTECTED]] 
> > Sent: 29 August 2002 15:56
> > To: '[EMAIL PROTECTED]'
> > Subject: RE: Digital vs.FILM: will digital cameras lose the war?
> > 
> > 
> > The digital photographers that I correspond with, on the 
> > PHOTODIGITAL mailing list aren't having these problems. Most 
> > were pro film shooters for many years but either have 
> > converted to digital completely or are in the process of doing so.
> > 
> > Len
> > ---
> 
> 


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