Dear John F. Sowa:

You write in your email of 30 Dec., at 11:45 am:

Ben
> I have long been wondering why there is so little discussion
> of relating Peirce's concepts and methodologies to concrete
> examples, or other 20th and even 21st century thinkers.

>> I strongly with that criticism.

Regarding this, it seems something is missing--agree? disagree?

Kindly advise:

Ben Novak


*Ben Novak*
5129 Taylor Drive, Ave Maria, FL 34142
Telephone: (814) 808-5702

*"All art is mortal, **not merely the individual artifacts, but the arts
themselves.* *One day the last portrait of Rembrandt* *and the last bar of
Mozart will have ceased to be—**though possibly a colored canvas and a
sheet of notes may remain—**because the last eye and the last ear
accessible to their message **will have gone." *Oswald Spengler

On Sat, Dec 30, 2017 at 11:45 AM, John F Sowa <s...@bestweb.net> wrote:

> Ben, Helmut, Peter, and Edwina,
>
> Ben
>
>> I have long been wondering why there is so little discussion
>> of relating Peirce's concepts and methodologies to concrete
>> examples, or other 20th and even 21st century thinkers.
>>
>
> I strongly with that criticism.
>
> To understand Peirce's writings and their implications, five kinds
> of studies are important:
>
>  1. Analyze the development of his thought by relating his many
>     publications and his many more unpublished manuscripts.
>
>  2. Relate his writings to his sources in various fields from the
>     ancient Greeks to the latest developments of his day.
>
>  3. Analyze the effects of his work on his contemporaries and
>     successors.
>
>  4. Analyze developments in the 20th and 21st centuries that could
>     have been improved if the developers had studied Peirce.
>
>  5. Compare Peirce's methods for analyzing the world and how we talk
>     and act in and about it to the methods used by other philosophers,
>     past and present.
>
> Ben
>
>> All [Peter] asked was the relevance of Peirce's semiotics to
>> a presently existing symbolic representation.
>>
>
> Helmut
>
>> whether the picture/diorama is insufficient of being analyzed with
>> Peirce, or Peirce´s theory is insufficient, because it does not
>> cover this example.
>>
>
> Peter
>
>> I tend to agree with those who have opined that there is just not
>> much to be said, from a Peircean point of view, about this analogy.
>>
>
> I agree with Peter that a pre-theoretical literary analysis is
> sufficient to determine the intentions of the people who designed
> the scene and the implications they wanted to express.  Peirce's
> semiotic could carry the analysis to a deeper level.  But that
> would require a 20-pages of details, not a short email note.
>
> Edwina
>
>> I ... tend to run from many of the philosophical discussions that
>> dominate this list. My focus is on biosemiotics and the societal
>> system as a complex adaptive system - which does function within
>> the Peircean triad.
>>
>
> I agree that examples from biosemiotics, societal systems,
> and complex adaptive systems would be far more useful than
> the nativity scene for understanding all five issues above.
>
> Re philosophical discussions:  My major interest in Peirce was
> originally stimulated by and continues to be focused on points
> 3 to 5 above, but I also found that 1 and 2 are important for
> understanding 3 to 5.
>
> For some of those issues, see my article "Peirce's contributions
> to the 21st century":  http://jfsowa.com/pubs/csp21st.pdf
>
> Re logic:  Before I discovered Peirce, I had learned 20th c
> logic from the so-called "mainstream" of a Frege-Russell-Carnap-
> Quine-Kripke-Montague perspective.
>
> What led me to Peirce were the criticisms of that mainstream
> by Whitehead, Wittgenstein, and linguists who recognized that
> there is more to language than Montagovian "formal semantics".
> I discuss that in http://jfsowa.com/pubs/signproc.pdf
>
> John
>
>
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