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Joe Ransdell


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From: "Frigg,RP" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Thursday, February 16, 2006 2:09 PM
Subject: 3rd CFP: Representation in Art and Science


Beyond Mimesis and Nominalism: Representation in Art and Science

Two-day conference in London, 22-23 June 2006

Deadline for Submissions: 1 March 2006

Keynote speakers: Catherine Elgin (Harvard University), James Elkins (School 
of the Art Institute of Chicago/University College Cork, Ireland) and John 
Hyman (University of Oxford)

Organisers: Roman Frigg (LSE) and Matthew Hunter (Courtauld Institute of 
Art/University of Chicago)

Programme committee: Peter Ainsworth (LSE), Roman Frigg (LSE), Matthew 
Hunter (Courtauld Institute of Art/University of Chicago), Elisabeth 
Schellekens (King's College London), Christine Stevenson (Courtauld 
Institute of Art), and Sabine Wieber (Birkbeck College London)

Springer Publishers has shown interest, and by agreement with individual 
authors, the conference organizers will be submitting edited versions of 
selected papers for possible publication in Springer's philosophy programme.

Representations play a critical role in both science and art. Perceived as 
different in kind, artistic and scientific representations have been studied 
as objects of distinct disciplinary and intellectual traditions. However, 
recent work in both the philosophy of science and studies of the visual arts 
suggests that these apparently different representational traditions may be 
related in challenging and provocative ways. "Beyond Mimesis and 
Nominalism," a conference co-sponsored by the Courtauld Institute of Art 
Research Forum, the London School of Economics, and the Institute of 
Philosophy of the University of London, seeks to open conversations between 
and beyond these compartmentalized traditions of thinking about 
representation.

According to dominant accounts, scientific representation is explained by 
appeal to mimetic relationships such as similarity or formal relations like 
isomorphism. As these views have been subjected to increasing criticisms, 
recent approaches to scientific representation have begun to draw upon 
analogies with artistic representation. Significantly, parts of this 
emergent literature have turned to a "nominalist" position, not unlike that 
advocated by Nelson Goodman in his writings on representation in art.

But, a similar turn is already apparent within studies of visual art, where 
scientific representations are increasingly integrated into the analysis of 
art. Like their colleagues in the philosophy of science, recent scholars in 
the visual arts have seen Goodman's work as an important point of 
engagement. His pioneering work on the visual has informed recent efforts to 
expand semantic taxonomies and to analyze the increasing field of images 
that fall outside classification as "art." As this work has received 
important contribution from scholars concerned with scientific imaging, the 
project of rethinking representation is one of growing general importance to 
art-historical studies, whose interpretative scope has expanded dramatically 
outward in recent decades.

In order to press this emergent interdisciplinary conversation, scholars 
from all disciplines are invited to submit papers to this two-day 
international conference. We particularly seek submissions that explore the 
"how" of representation-papers that can enrich our understanding of the 
techniques employed in scientific representation and/or address their 
semantic structures or historical convergences with artistic practices - and 
vice versa. Also especially encouraged are papers that critique, historicize 
or defend the conference's central terms of mimesis and nominalism, or offer 
approaches to representations that navigate a middle course between them.

Please send extended abstracts of up to 1000 words to 
[EMAIL PROTECTED] by 1 March 2006. Decisions will be made by 1 
April.

For further information please visit 
http://www.lse.ac.uk/collections/artAndScience/


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