Contestation for Middle Class Consumption
By Pierre Rimbert
Le Monde Diplomatique
May, 2009

Economic Horror by Vivianne Forrester: a million copies sold since 1996; No 
Logo  by Naomi Klein (2000): translated into twenty-five languages; the 
planetary success of Michael Moore's documentaries; demonstrations by new 
social movements; the proliferation of "alternative" media; actions: from 
the size of the audience for critics of the prevailing economic order, one 
might conclude that a wave of rebellion is sweeping the earth; that the 
adhesion of educated classes to "the spirit of capitalism", often seen as a 
condition for the system's survival, is weakening; and that the defection of 
intellectuals (or those aspiring to this status) to the side of the masses 
portends a major breach in the walls of the liberal Babylon.

But there seems to be problem with the fuse in this powder keg: a radical 
critique is gaining ground without any noticeable change in the individual 
practices of those who espouse it,  or any influx into leftwing 
organizations  of people determined to bring down the social order. It is as 
if questioning the status quo is merely a popular idea, from which one draws 
no practical conclusions. Whether it arises from skepticism concerning the 
possibilities of political action or the absence of a model for change, this 
disconnect between theory and practice is also partly rooted in the 
ambiguous relation of the enlightened middle classes to critical knowledge.
Both Marxism and revolutionary syndicalism urged the worker to acquire the 
"science of his unhappiness", in the famous phrase of Fernand Pelloutier, 
organizer of labor exchanges at the end of the nineteenth century.  Only in 
this way could proletarians be in a position to penetrate the veil of 
economic  fatalism, comprehend the mechanism of their exploitation, and, 
finally, unite to shatter it. "Material force must be overthrown by material 
force", said Karl Marx in 1843, "But theory also becomes a material force 
once it has gripped the masses." Whether the dissemination of revolutionary 
ideas is self-administered (revolutionary syndicalism), or is carried out by 
a political party (Leninism), a single belief underlies this kind of 
reasoning: critical knowledge emancipates those who acquire it.
But of what  use is such knowledge to those who already possess it? The huge 
gatherings of Millau (June, 2000), Larzac (2003) or Porto Alegre have 
contributed mainly to the education of the middle classes. Last January, the 
"new social movements" from all over the world gathered in Belem, Brazil. If 
some were impressed by the richness of the exchanges among groups assembled 
there, others called it a Woodstock of the new social movements. The 
workshops and panels attended by the Brazilian public were dominated by 
students and professors; adjoining these were a constellation of stalls 
where various organizations, newspaper sellers and Marxist publishers 
competed for the attention of customers with partisans of organic tattooing, 
vendors  of mate and  chashew-distilled liquer, makers of seed necklaces, as 
well as advocates of the legalization of marijuana.

Knowledge combined with pleasure-this is also the story of local "social 
forums", leftish book salons, independent bookstores and movie theaters. 
Intially intended to overcome isolation, to keep alive the memory of 
struggles or recruit troops, events and places like these are attracting a 
growing public. Municipal authorities tolerate and sometimes support them, 
admiring their contributions to "cultural diversity", compensating at little 
cost for certain local deficiencies in this area.

With the rise of the middle classes, political education increasingly moves 
from the workplace to the places of leisure. For the lessons learned from a 
strike are substituted lessons for their own sake. On the platform, 
personalities selected for their ability to draw large crowds make 
speeches-not too long, for fear of tiring the audience. Thus, rather than 
tranforming itself into a material force, contestation is transformed into 
cultural recreation with a political theme.

Last May 9, the Wall Street Journal painted a malicious portrait of one of 
France's "best protest consultants", Xavier Renou, spokesperson of the 
"Disobedients". "He bills his students 50 euros a head for disobedience 
training, writes books, produces leftist-themed games, and also attempts to 
'diversify his client base, especially in growth areas such as the pro-Tibet 
movement.' ".  One would not, in the manner of vulgar economism, want to 
reduce middle class militancy to a market in which providers fill a growing 
demand for "subversive" goods and services in exchange for rewards sometimes 
more than merely symbolic.  Yet contestation for consumption has its 
definite hallmarks, one  being the demand for quick results.
"What infantile naivete to make one's own impatience into a theoretical 
argument!" Thus remarked Frederick Engels to London refugees from the Paris 
Commune, who, like Edouard Vailliant, judged the First International to be 
insufficiently revolutionary and demanded immediate revenge on Versailles. 
One can only imagine the perplexity of Engels in the face of the dozens of 
micromovements that have appeared in recent years: Coordination of men 
without neckties, the Clandestine Insurgent Rebel Clown Army, nude bikers, 
defilers of advertising posters, and other festive reapproprators of urban 
space.
Each one of these "movements" is characterized less by a political objective 
than by a method of intervention. Here, a white mask;  there, picnics in 
supermarkets with food taken from the shelves. Like a basket of bonbons in a 
bakery, they offer to a youthful public a colorful display from which to 
take one's pick. No organization, no long-term perspective: for the 
"activist", engagement is limited to "actions". Announced on internet sites, 
their results are instantly evaluated in terms of media coverage.

>From the venerable network TF1 to the fashionable monthly Technikart, 
journalists  dote on performances that fit easily into the dossier "Sixty 
Clever Projects to Combat the Crisis" in the Nouvel Observateur  between an 
ad for shoes and a portrait of an "anti-stress coach" who charges 50 euros a 
session. Hero of a Canal + documentary,  "The New Rebels" , "Julien, 27, a 
Ph. D., executive of an NGO, explains that he isn't there to distribute 
tracts on the subway station in the snow for three hours". With "his" 
collective, he attracts the attention of the press to the housing problem 
and improvises events in apartments for rent. Journalists, notified in 
advance, are almost as numerous there as activists, confronting an upset 
landlord and a few prospective renters.

Ironic and shifting, the image of the protest stands in contrast with the 
plodding and greyish image that the media have long conveyed of mass 
demonstrations, in which the chants, it is true, often seem to be taken from 
an old 78 record. But the new form of protest is without any notion of 
painstaking organizational preparation or any durable balance of forces. 
Reflecting economic structures implanted in our brains, contestation for 
mass consumption obeys the logic of the short term: immediate return to 
action!

But, in fact, would revolt be as easily consumed so greedily if an ecosystem 
of graduate students, researchers, jounalists, essayists, initially animated 
by the will to change the system, had not finally taken engagement for an 
object of study and taken their studies for a form of engagement? In a 
joyful exercise in  "(self-) derision", the sociologist Alain Accardo has 
portrayed the "critical thinker" : fastened to his worktable, he draws from 
the pile on his right a book on the evils of capitalism and the necessity of 
ending it. But, "with a few exceptions, the writings of this critical 
thinker were read by other critical thinkers who tirelessly pass his book 
from the right to the left pile of books".

The accumulation of stories of actions, of dissident publications, of 
conferences on resistance, or articles like this one suggest that imagined 
scenes like the above are not far removed from reality. And Accardo 
ironically remarks on the reverse course pursued since Marx's famous Theses 
on Feurebach of 1842: "Philosophers have merely interpreted the world in 
various ways; the point, however, is to change it." Victor Serge, George 
Politzer, Simone Weil, Aimé Césaire. With modesty and sacrifice, there were 
many who tried to do this in the course of the twentieth century.

Contestation for consumers is also characterized by a refusal to "take 
 sides"often observed among intellectuals interested in radical ideas. At 
the end of a documentary on the immpossiblity of criticizing television on 
television, an audience member declared himself "in total agreement" with 
the director, and simultaneously "in total agreement" with the host of a 
television program  critical of television-two positions irreconcilable on a 
political level, but completely compatible if one approaches the film as an 
agreeable way to learn to assimilate both sides of an argument as a 
butterfly collector collects specimens.

A sign of intellectual distinction, the ability to look at arguments for and 
against, indeed to argue against oneself, signifies the reluctance of a part 
of the middle class to go into the trenches of the social war as long as its 
own interests aren't in play. Combined with a propensity generously to 
support causes far removed from their reality, this disposition is deeply 
rooted among the artists and academicians that  Paul Nizan denounced in 1932 
in The Watchdogs.
"Are you complicated?," Le Parisien (3 January, 2003) asked the singer 
Zazie, then heartthrob of bourgeois bohemians. "I think I'm a paradoxical, 
multifaceted person. I love to criticize television and appear on it. I don't 
like showbiz soirées but love Victoires de la Musique (French music award 
ceremony). One often asks people to take sides. Me, I don't feel the 
inclination." Like performers suddenly descended from their cloud to protest 
the information piracy that threatens their copyright privileges, would the 
above-mentioned documentary watcher have answered yes and no at the same 
time if the question were one of eliminating his job?

That is more and more the question. The precarization of the intellectual 
professions, attacks on public service by neoliberal politicians, and on 
private sector jobs by the economic crisis, tends toward a realignment of 
ideas with interests. Graduate students, adjunct professors, journalists now 
beat the pavement as well as the keyboard. To organize, take sides in the 
class struggle, and no longer just for far-away noble causes, now appears 
possible. Intellectuals will no doubt continue to interpret the world in 
various ways, but, maybe this time, with the will to change it?.




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