In trying to explain my doubts about the latest installment in the 
“Hunger Games” series to a fellow leftist who adores the film, I stated 
that there is no radical art coming out of Hollywood. There is nothing 
like, for example, the movies I will be reviewing for the 2013 South 
Asian Film Festival in New York (https://www.saiff.org/) that opens today.

Over the past couple of days I have had the chance to see three of the 
films being shown there and am happy to have had my beliefs confirmed. 
As both art and as a political statement, “Good Morning, Karachi”, 
“Siddhartha”, and “The Good Road” are reminders that in a deeply divided 
class society like India, there are filmmakers rising to the occasion. 
It is unfortunate that America has so few willing to make such films 
outside the documentary genre. With “independent” film in the U.S. 
having become the province of the Sundance Film Festival and the 
“boutique” divisions of Hollywood powerhouses, there are two strikes 
against the radical filmmaker who has something to say. One only hopes 
that if any such person based in New York is reading this article, they 
will make an effort to attend as many films in this festival as possible 
since South Asia is leading the way.

full: 
http://louisproyect.org/2013/12/03/2013-south-asian-film-festival-in-n-y-not-to-be-missed/
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