About fifteen years ago I was in a long-distance relationship with a 
woman from St. Paul, Minnesota I had met through the Internet. On one of 
my visits out to see her, I made the mistake of bringing up “Fargo”, a 
Coen brothers movie that I really liked at the time. She let me have it. 
“That movie makes us all look like fat and stupid yokels. You don’t know 
what it means to be caricatured in a film.”

After hearing her out, I never saw a Coen brother’s movie in the same 
light. Her point was driven home when I saw “A Serious Man” in 2009, 
another spitball directed at Twin Cities folk, this time the observant 
Jews like those who the Coens grew up with. This is a snippet from my 
review:

        In some ways, “A Serious Man” demonstrates all the flaws of the Coens’ 
“O Brother, Where Art Thou?”, a reworking of Homer’s Odyssey. Without 
the grandeur of Homer’s characters, all you end up with is a kind of 
road movie that requires the talent of a Preston Sturges to pull off. 
Without a finely honed sense of comedy, the best that Coen brothers can 
come up with is characters that they can feel superior to while hoping 
that the audience can share the joke. In Preston Sturges’s 
Depression-era comedies, you cheer for the characters. Set in the same 
historical period, the characters of “O Brother, Where Art Thou” are 
involved with what film critic Jonathan Rosenbaum calls pop nihilism.

While I had concerns that “Inside Llewyn Davis” would incorporate the 
same kind of patronizing attitudes found to one degree or another in 
their entire body of work, I was shocked by the naked display of 
misanthropic joylessness that is qualitatively worse than anything they 
have done before. This is a dyspeptic hour and forty-five minutes of 
cringe-inducing “comedy” that makes you wonder why they bothered. When 
you take a period alive with musical innovations that were the first 
shoots of a spring thaw after a long McCarthyite winter and turn it into 
a desultory and venomous mockery of the period, you have to wonder what 
makes these characters tick.

full: http://louisproyect.org/2013/12/06/inside-llewyn-davis/
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