When I ran into a fellow member of New York Film Critics Online last 
night following the press screening of Trumbo that opens everywhere on 
November 6th (unlike most films that I review, this one gets full-page 
ads in the NY Times), he asked me what I thought. My response: “If you 
can see only one film this year, it should be Trumbo. Furthermore, if 
you can see only film for the rest of your life, it might also be 
Trumbo, a desert island selection next to Citizen Kane or Modern Times.”

This is a film that obviously matters a lot more to me than the average 
Hollywood film that has become not only distressingly escapist but 
poorly made as well, the quality of which tends to be in inverse 
proportion to the amount of money it costs to make. Making a biopic in 
2015 about the famous blacklisted screenwriter with a cast of notables 
including Bryan Cranston of Breaking Bad in the lead role should get the 
attention of any CounterPunch reader but when such a film is so head and 
shoulders over every American film made this year in terms of direction, 
screenplay, acting, incidental music, and costume design, it becomes one 
for the ages.

full: 
http://www.counterpunch.org/2015/11/06/why-trumbo-is-one-of-the-most-important-films-ever-made/
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