http://www.salon.com/books/review/2006/03/14/davis/print.html
A swiftly crumbling planet
Doomsayer Mike Davis offers a new reason to panic: Earth is turning into a
giant slum.

By Matt Steinglass

Mar. 14, 2006 | In case global warming, avian influenza, AIDS, terrorism,
nuclear proliferation, Chinese nationalism, epidemic obesity and the state
of the Knicks don't have you worried enough, Mike Davis has a new reason to
panic: Planet Earth is turning into a giant slum. For the first time in
human history, the world's urban population now equals its rural
population, and the balance tilts further toward the cities with each
passing year. The overwhelming majority of this growth is occurring in
shantytowns and tenements stretching from Karachi, Pakistan, to Lima, Peru,
where people live crowded together in densities that sometime dwarf those
of such notorious 19th century human anthills as New York's Mulberry Bend.
As of 2005, a billion people were living in slums, and the number is rising
by 25 million per year.

The proliferation of slums is an ironic rebuke to the modernist vision of
the city of tomorrow, which prevailed until a few decades ago. "The cities
of the future," writes Davis, "rather than being made out of glass and
steel as envisioned by earlier generations of urbanists, are instead
largely constructed out of crude brick, straw, recycled plastic, cement
blocks, and scrap wood." The high modernist dream has been pronounced dead
before, beginning in the 1970s, when Jane Jacobs first attacked skyscrapers
and freeways in favor of the organic, variegated human-scale neighborhoods
such mega-projects often bulldozed. But the slums that hold 39 percent of
China's urban population, 55 percent of India's, and an incredible 99
percent of Ethiopia's (according to U.N. figures) make a mockery of Jacobs'
"urban ballet." In Davis' words, "Instead of cities of light soaring toward
heaven, much of the twenty-first-century urban world squats in squalor,
surrounded by pollution, excrement, and decay."

It's not surprising to hear such apocalyptic rhetoric from Mike Davis, who
has spent his literary career taking on one disaster after another. His
classic "City of Quartz" critiqued the chaotic urban history of Los
Angeles. "Late Victorian Holocausts" recounted the devastating famines
afflicting British colonies in the late 1800s. And "The Monster at Our
Door," published just last fall, sounded the klaxon over avian influenza's
threat to mutate into a massive human pandemic. It is hard to dismiss Davis
as a serial Chicken Little; his books are simply too well researched. For
"Planet of Slums," he has digested acres of reports by U.N. agencies,
governments, academics and non-governmental organizations, along with
obscure architectural papers bearing titles like "The Incidence and Causes
of Slope Failure in the Barrios of Caracas."

Yet Davis' relentless dourness does tend to make his conclusions less
trustworthy. He has a penchant for arguing against all sides of an issue.
In Chapter 3 of "Planet of Slums," "The Treason of the State," Davis
excoriates neoliberal governments that fail to build housing for the poor
-- and criticizes those that do, like China and Thailand, because their
high-rises are too far from poor people's jobs, or lack the community
feeling of the old slums. In Chapter 4, "Illusions of Self-Help," the
reader learns that granting squatters legal title to their land is a false
solution that only enriches speculators -- and that not granting squatters
land titles leaves them at the mercy of gangs and police who demand payment
for squatting rights. Reading Davis can be a bit like sitting down at a bar
next to a guy who starts out lambasting the president and then proceeds to
ridicule the opposition, leaving one with the impression that he doesn't
actually vote.

Well, one might say, what do you expect? It's a book about slums. What's to
like? But, in fact, many urban thinkers have had positive things to say
about slums. For example, Davis in several places cites papers published as
part of a 2002 conference on African urban issues titled Under Siege, held
in Lagos, Nigeria. I was at that conference, and the tone, while sometimes
apocalyptic, was a lot more enthusiastic than one would expect from reading
Davis.

The conference's most illustrious presenter was the Dutch superstar
architect Rem Koolhaas, who had just finished a four-year study of Lagos
conducted with his students at the Harvard Graduate School of Design.
Koolhaas is an inveterate contrarian, the kind of guy who can find humanism
in a concrete access ramp, and his take on Lagos was typical. He said his
initial impression of the city, driving in along the freeways that stretch
over its lagoon and seeing only the indistinct forms of shanties through
masses of rising smoke, was as a sort of modernist hell. Gradually,
however, he realized that what he was seeing was Ebute-Metta, Lagos'
partially waterborne sawmill district, where giant rafts of logs floated
down from the country's surviving rain forests are hacked up by hundreds of
small lumber companies. What at first appeared as pure negative chaos was
in fact a complex, unstable and highly creative informal economy.

Koolhaas and his students came to realize that all of Lagos was like this.
The book they published, "The Lagos Project," presents dozens of examples
of the city's mash-up economy: the world's largest markets for used
electronics and auto parts; unfinished public housing taken over
semi-legally, the units rebuilt in jury-rigged expansions by the residents;
a never-completed butterfly highway access ramp converted into a
cantilevered village by informal colonists, complete with market stalls and
a church. Koolhaas coined the term "flexscape" to denote large
indeterminate structures, like highway overpasses or abandoned freighters,
which can be creatively reappropriated and made to serve changing local
needs. He came to see the city not as a dystopian nightmare or ruin, but as
a giant hive of recombinant, sometimes cannibalistic creative energy. Lagos
is often termed "unlivable" by Westerners and even by its own inhabitants;
but as Koolhaas pointed out, 12 million people live in this unlivable city,
and somehow, on their own terms, they make it work.

Davis does acknowledge the views of such slum enthusiasts. In the 1970s, in
particular, social scientists in Latin America wrote of "slums of hope,"
where families staked an informal claim on open land and built a shanty in
the expectation of gradually working their way up the income ladder, into
the middle class. But he invokes these optimistic progressive visions of
the slum in order to dismiss them. Davis argues, rather trenchantly, that
the rising inequality associated with globalization and the neoliberal
economic policies of the Washington Consensus have sawed through that
income ladder. The very fact that slums are growing much faster than the
urban population overall is proof that the "slums of hope" are mostly
hoping in vain.

One of Davis' most original observations is that the explosive growth of
modern third-world cities stands the model of Europe's Industrial
Revolution on its head: It is not generally driven by economic growth. In
East and parts of South Asia, the new jobs are there, but not in Latin
America and certainly not in Africa, where countries have been losing
industrial jobs since the 1980s even as their cities ballooned. Today's
migrants are not lured to the city by the promise of prosperity, but are
driven from the countryside by ever direr poverty, population growth,
environmental damage, war and the increasing global domination of high-tech
agribusiness. "'Overurbanization,' in other words," Davis writes, "is
driven by the reproduction of poverty, not by the supply of jobs." In the
cities, they survive not by finding formal employment, which scarcely
exists, but by scrabbling together an existence as petty traders, artisans
or day laborers -- entering the so-called informal sector, which Davis
argues generally subdivides the existing economic pie into ever-smaller
pieces. The starkest example is Kinshasa, a city that continues to grow
even as the Congo it supposedly governs has fallen off the map of the world
economy.

Davis goes on to sketch the proliferation of hysterical witchcraft
accusations against Kinshasa's unfortunate children. He then tops off his
"Oliver Twist" meets "Blade Runner" vision of the global urban present with
a chapter on the only U.S. government agency he thinks really "gets" the
transformations underway in the Third World today: the Defense Department,
whose planning for anti-insurgent guerrilla warfare in urban environments
has gained fresh impetus from the conflict in Iraq. Davis sketches Baghdad
as a kind of blueprint for the future of the planetary city, the world of
the "war on terror" as a magnified New Los Angeles, with the police
helicopters of the first world's gated communities perpetually hovering
over the permanent low-grade conflict of the Third World's smoldering slums.

It would certainly make a great movie. And it's a brilliant paradigm for
thinking about global inequity: "Planet of Slums" is the first book I've
read to consider globalization through the frame of the urban landscape.
But again, Davis sometimes strays too far to the noir side of his cinematic
imagination. In my own experience of some of the slums Davis describes, I
haven't found them as bleak as he does. He cites an Organisation for
Economic Co-operation and Development study hypothesizing the West African
coast from Lagos to Accra, Ghana, as a single vast urban poverty zone by
2020; it's possible, but today much of this coast still consists of tiny
raffia-hut villages under palm trees, or uninhabited scrub. And Davis
utterly fails to capture the organic vibrancy and thriving street life that
can make slums attractive: the elbow-to-elbow throngs of Lagos' Idumota
market, where Igbo teenagers hand-spool videotape for local shot-on-video
feature film studios, choking in the exhaust of thousands of tiny electric
generators; the alleyways and gray tile roofs of Beijing's packed old
hutongs, where barbers trim hair on the sidewalk in front of mirrors hung
from tree trunks; the sunny, grassy shantytowns of Capetown, South Africa's
Khayelitsha.

A romance of picturesque poverty? Sure. It's easy to be charmed by
Khayelitsha when you live in Tamboerskloof. But like Davis' Bangkok
residents who preferred their old slums to the new public housing projects,
at least some slum dwellers enjoy aspects of their neighborhoods -- many of
which they themselves have created. What Davis' book misses is any
acknowledgement of positive agency on the part of the millions of people
who move into slums each year. More important, it lacks any acknowledgement
that some of the negative outcomes he describes from housing policy toward
the poor are the result of inevitable tradeoffs. Davis scathingly depicts
the miseries of slum life in one chapter and the miseries inflicted by slum
clearance in the next, without ever suggesting what other choices might be
possible. "Planet of Slums" is a brilliant book, but it might have
benefited from a calmer analytic tone, more like the one taken by Jared
Diamond in last year's "Collapse" -- an acceptance that even catastrophic
social developments result from bargaining and competition between
different groups with different outlooks and interests, and that perfectly
bad solutions are as rare as perfect ones. It's gratifying to see that
Davis is now at work on a book about what agents of change might lead to
positive improvements in the situation of the global poor. Davis is
extraordinary at staring into the abyss; it'd be nice if he started telling
us where the handholds are.

-- By Matt Steinglass

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