Available in home video since February 2007, Yilmaz Arslan’s 2005 “Fratricide” is a unrelentingly grim and pessimistic study of feuding Kurd and Turkish youth in the streets of some unnamed German city. Despite an ostensibly political theme, it is much more about more eternal themes such as the need for absolution and intimacy in a heartless world. Its most obvious antecedents are the Brazilian film “Pixote” and Buñuel’s “Los Olvidados.” In all of these films, feral youth bind with each other in a largely futile effort to remain human.

In the opening scene of “Fratricide,” we find ourselves in the desolate and remote hillsides of Eastern Anatolia. A mailman has come to deliver a letter to Azad, a Kurdish teenager. His brother Semo, a pimp living in Germany, has sent him money to escape the desperate poverty that makes life impossible for an oppressed people. When the mailman asks where Azad may be found, an old woman tells him to drive until he sees a fig tree. Then he must take a right and look for the third yew tree. There Azad will be found.

When we see Azad again, he is living in a hostel for refugee youth. The counselors have brought in an eleven year Kurdish boy named Ibrahim (nicknamed Ibo) to share the room with him. In a flashback, we learn that Ibo’s parents have been killed by the Turkish army. The two youth, starved for family ties and homesick, bond to each other immediately. Azad, who scrapes out a living as a barber in the men’s room of a Kurdish-owned restaurant, makes Ibo his assistant–his job is to hold up a mirror.

full: http://louisproyect.wordpress.com/2007/04/07/fratricide/

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