September 27, 2007 / NY TIMES Poetry Prize Sets Off Resignations at Society By MOTOKO RICH
The cloistered community of American poetry has, in recent months, become a little less like Yeats's Land of Faery, where nobody gets old and bitter of tongue, and a little more like Allen Ginsberg's "Howl." The board of the 97-year-old Poetry Society of America, whose members have included many of the most august names in verse, has been rocked by a string of resignations and accusations of McCarthyism, conservatism and simple bad management. The recent turmoil was driven, partly, by fierce discussion among board members earlier this year after they voted to award the Frost Medal, an annual honor given by the society, to John Hollander, a prolific poet and critic. The concern was whether it was proper to take into consideration some past remarks made by Mr. Hollander — remarks that some felt were disturbing — in bestowing the medal. Of course, as with many a board squabble, personality disputes and misunderstandings also played their part in the fracas. Last Friday, William Louis-Dreyfus, who had been president of the board for the last six years, officially stepped down and quit the board, becoming the fifth person on the 19-member board to resign this year. This spring Walter Mosley, the novelist, resigned, and he was later joined by Elizabeth Alexander, a poet and professor of African-American and American studies at Yale University; Rafael Campo, a poet and professor at Harvard Medical School; and Mary Jo Salter, a poet and a professor at Johns Hopkins University. Mr. Louis-Dreyfus, who runs an international commodities trading and shipping firm and dabbles in writing poetry [and a relative of Julia L-D??], said he resigned partly to protest what he regarded as an "exercise of gross reactionary thinking" among the other board members who left in the wake of the award to Mr. Hollander, a retired English professor at Yale. When Mr. Hollander was considered for the award three years ago, some members raised comments he had made in interviews, reviews and elsewhere that they felt should be examined when judging his candidacy. In one example, Mr. Hollander, writing a rave review in The New York Times Book Review of the collected poems of Jay Wright, an African-American poet, referred to "cultures without literatures — West African, Mexican and Central American." And in an interview on National Public Radio's "All Things Considered," a reporter paraphrased Mr. Hollander as contending "there isn't much quality work coming from nonwhite poets today." [JHC!!] Other board members said they felt that such comments were not characteristic of Mr. Hollander's views or had been misinterpreted. Mr. Louis-Dreyfus said that even if the comments were representative, they were irrelevant criteria for judging the Frost Medal, just as he would argue that Ezra Pound's anti-Semitism should not detract from the literary appreciation of his work. In some ways the questions about Mr. Hollander's remarks reflect a broader debate over whether the evaluation of artistic merit should be affected by the sometimes unsavory opinions or actions of the artist. Last year, for example, Germany was stunned when Günter Grass, the Nobel Prize winner, confessed that he had joined the Waffen SS, the military branch of the Nazis, when he was 17. At the time, some people argued that he should renounce his Nobel. <snip> more at: http://www.nytimes.com/2007/09/27/books/27poet.html -- Jim Devine / "The truth is at once less sinister and more dangerous." -- Naomi Klein.
