Mark: I have not calculated a cost estimate but have only begun to put the
various pieces the process together.  I will keep you informed and hope you
will do the same for me.

Regards,
BillZ


On Fri, Apr 18, 2014 at 9:13 PM, Mark <markely...@earthlink.net> wrote:

> Bill,
>
> Glad you are still focused on fixing that 9-40! Additive manufacturing,
> the generic term for 3D printing might be the answer. I have one to use as
> a pattern but think I will try the conventional investment cast process in
> bronze of brass rather than the resin 3D printed part. Investment casting
> maintains tight tolerances and requires less final finishing than most
> other casting methods plus you will end up with a metal part more similar
> to the original. I had some 10-50 shift levers made this way and the
> results were very good. I'll let you know what the estimated cost would be.
> The last time I pursued the project, in 2002, I was thinking final
> finishing and gold plating but the cost was high, this time I'll ask for a
> less finished and un plated. If it still looks out of range I'll send you
> the sample. What kind of prices do you expect?
>
> Mark
>
> Sent from my iPad
>
> On Apr 18, 2014, at 6:00 PM, William Zucca <rochr...@gmail.com> wrote:
>
> > Dear Fellow Phono-Listers:
> >
> >
> >
> > I am restoring a Victor VE-9-40E and have found that the weakest part of
> > this magnificent machine to be the side arm which holds the electric
> > pick-up. As you probably know, it is made of an alloy of low-melting
> point
> > metals such as zinc, lead, copper, and tin and is commonly known as
> “white
> > metal,” “die cast zinc,” and especially “POT METAL.”  As a result, this
> > piece is most often found to be misshapen, swollen, and/or cracked.  I
> have
> > searched, without positive result, for a replacement for the side arm on
> my
> > VE-9-40E.
> >
> >
> >
> > But, there is a solution to this problem that will solve it
> > once-and-for-all and is the result of a new technology that has the
> > potential of making spare parts available for historic devices where none
> > now exists.  The process is called “rapid prototyping” or “3-D
> printing.”  The
> > process begins with a non-destructive scan of an original part (or
> computer
> > drawing of the part).  Next, a duplicate of the part is created by a
> > 3-printer in plastic (or newer metalized plastic composite) which is used
> > as a prototype.  The prototype is checked for accuracy and similarity to
> > the original part and the drawing created from the scan of the original
> > part is tweaked to fix any inaccuracies found in the duplicate part.
>  Finally,
> > a fully-functional duplicate part is made from the updated drawing file.
>  The
> > resulting part may be painted or plated and then would need to have an
> > original electric reproducer socket installed from one of the many broken
> > side arms available.
> >
> >
> >
> > This long explanation is the introduction to a request that I am making
> > here on the ANTIQUE PHONOGRAPH LIST.  I would like to borrow a good,
> > original side arm from a Victor VE-9-40E to use as a pattern for the
> > process described above.  As I have already mentioned, it is a
> > non-destructive process and I can guarantee the safety of your precious
> > part during the effort.
> >
> >
> >
> > If you have such a side-arm that might be available for this purpose,
> > please contact me at rochr...@gmail.com.
> >
> >
> >
> > Best Regards,
> >
> > William Zucca
> >
> > Rochester, Vermont
> >
> >
> >
> > NOTES:
> >
> > --The side arm used on the Victor Borgia I and II are NOT the same as the
> > one used on the VE-9-40E and are not suitable for this project.
> >
> >
> >
> > --I have photos of the VE-9-40E tone arm and side arms available upon
> > request.
> > _______________________________________________
> > Phono-L mailing list
> > http://phono-l.org
> _______________________________________________
> Phono-L mailing list
> http://phono-l.org




-- 
From The Hubbard House
On the park in Rochester, Vermont
where it's always 1929.
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