Yes this is a great help too. I appreciate the
information!

Catherine
--- Howard Wells <sandw...@earthlink.net> wrote:
> Catherine,
> 
> I've spent a good bit of time battling the lone
> exposure times of
> pinhole using a lot of pinholes in the f128 to f150
> range with fast film
> but I've also been able to get interesting effects
> with lenses without
> resorting to filters.
> 
> One method to create pinhole type effects while
> reducing exposure times
> is to use a lens either focused past infinity (ie
> closer to the film
> plane than infinity) or to move a lens into the
> macro focus area. In
> 35mm I use a focusing extension tube (by
> Zorkendorfer) with enlarging
> lenses for this. Stopping all the way down increases
> the "detail" and if
> the lens makes a circular aperture the effect can be
> quite pleasing.
> I've also shot landscapes with a 55mm macro lens
> focused at 9 inches and
> stopped all the way down. Lately I've been putting a
> Russian 28mm leica
> thread lens on my nikons. Actual point of focus is
> about 3 inches from
> the front of the lens. I've also shot portraits by
> holding a loupe or
> other simple lens in front of the camera. 
> 
> Very easy with a 4x5 camera, or any camera with
> bellows, of course and
> you have more information to play with on the
> negative. Hope this helps
> a little. I'm a tireless experimenter.
> 
> Howard Wells
> 
> 
> Catherine Just wrote:
> > 
> > I was wondering about the lighting! Thanks for the
> > info. I'm printing it out for a reference!
> > 
> > Sounds like I'm better off doing a long exposure -
> > inside - with controlled lighting - with a regular
> > lens camera...
> > 
> > Catherine
> > --- Colin Talcroft <ctalcr...@yahoo.com> wrote:
> > > Hi Catherine,
> > >
> > > Thanks for saying you like my work, and I'm glad
> to
> > > hear that looking at it was of help. Thought you
> and
> > > anyone else interested might find it useful to
> know
> > > that those three nudes (including the one you
> > > mention
> > > specifically) were all done indoors usually with
> one
> > >
> > > 500 Watt light. The film was T-Max 100.
> Exposures
> > > with
> > > a lens were usually 4 to 16 seconds at f=16 if I
> > > remember correctly. The pinhole exposures
> usually
> > > were
> > > about 20 minutes at the least, often more like
> 30,
> > > and
> > > sometimes as long as 40 minutes. It's not a
> > > coincidence that the pinhole poses are mostly
> > > reclining. That's about the only way to stay
> still
> > > for
> > > that length of time. Often the model would fall
> > > asleep! I can remeber a session or two during
> which
> > > I
> > > set up the pinholes, let them go, spent 10 or
> > > fifteen
> > > minutes doing lens photos, and still had time to
> get
> > > out a sketchbook and do some drawings before
> > > finishing
> > > the pinhole exposures and setting up a new pose!
> > >
> > > Colin
> > >
> > >
> __________________________________________________
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> > =====
> > Catherine Just Photography
> > Weddings~Portraits~Fine Art
> > http://www.catherinejust.com
> >         619.294.3195
> > 
> > "Don't just state your intent, Live it." ~Jerry
> Seiner Jr.
> > 
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=====
Catherine Just Photography
Weddings~Portraits~Fine Art
http://www.catherinejust.com
        619.294.3195


"Don't just state your intent, Live it." ~Jerry Seiner Jr.

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