They won't be able to chip away the monument at Stone Mountain, GA!!!

On Fri, Dec 20, 2013 at 4:07 PM, Travis <[email protected]> wrote:

>
>
>
>
>  [[[  I'm Southern born and Southern bred and when I die I will be
> Southern dead.  ]]
>
> December 20, 2013
>
> *Erasing Southern History: The Bonfire of the Portraits*
>
> *By* *Fay Voshell* <http://www.americanthinker.com/fay_voshell/>
>
> When traveling recently to Virginia Beach, I couldn't help but notice that
> I was no longer in Yankee land.  I was in an entirely different world, one
> still significantly defined by the Civil War.
>
> I passed street after street named after famous southern generals --
> General Jackson Drive, General Lee Drive, General Beauregard Drive, and
> General Hill Drive.  Though he was a "general" of a different sort, even
> General Booth, founder of the Salvation Army, has a boulevard named after
> him.
>
> It was clear to me that Southerners revere their generals.
>
> And for good reason.
>
> The South's generals have long been a part of the proud history of the
> region.  Robert E. Lee's and Stonewall Jackson's military strategies are
> considered some of the most brilliant in the history of warfare, and this
> is to say nothing of their exemplary characters.  They are honored to this
> day for their bravery and brilliance.  That is why their portraits are on
> the walls of the U.S. Army War College, which is dedicated to the training
> of future generals, some of whom may one day show that they, too, have
> absorbed a code of honor and chivalry.
>
> But according to the *Washington Times
> <http://www.washingtontimes.com/news/2013/dec/17/robert-e-lee-and-stonewall-jackson-tributes-face-a/#disqus_thread>*,
> revisionists are mulling over a decision to remove Lee's and Jackson's
> portraits from the walls of the War College, lest that august institution
> be sullied by the memory of generals who fought on the wrong side.
>
> The article reports that the College's spokeswoman, Carol Kerr, stated
> there was someone who complained about the portraits.  "This person was
> struck by the fact we have quite a few Confederate images," she said,
> adding that the portraits were re-hung on a third-floor hallway.  
> "[Lee<http://www.washingtontimes.com/topics/robert-e-lee/>]
> was certainly not good for the nation. This is the guy we faced on the
> battlefield whose entire purpose in life was to destroy the nation as it
> was then conceived[.] ... This is all part of an informed discussion."
>
> How "informed" the discussion will be is anyone's guess.  Historians of
> the Civil War will be mightily interested in the outcome of
> "Portrait-gate," as expunging of the South's greatest generals from the
> historical narrative might change the overall story a smidgen.
>
> The portraits may or may not be in the third-floor hallway now.  They will
> probably progress to the basement later, and then at the last be thrown
> into a bonfire.
>
> I am reminded of the actions of Thutmose III and Akhnaten of Egypt, both
> of whom assiduously devoted themselves to having Queen Hatshepsut's images
> chiseled off monuments dedicated to her so no one would remember her.  The
> pharaohs are a reminder that historical revisionism is nothing
> new.  Certainly, if similar "off the wall" action is applied to the
> Southern generals, it will appear to future cadets that the only worthy
> military heroes of the Civil War have been from the victorious Northern
> States.  Other "losers" like Hannibal, Hector, Napoleon, Rommel, and Von
> Manstein -- all of whom fought well but ultimately lost -- may also be
> nixed from the list of study-worthy generals, their place consigned to the
> dustbin of history.
>
> While the fate of the portraits is still under discussion, one can draw a
> few conclusions and hazard some predictions should the offending visages be
> permanently obliterated from the walls of the War College and other
> military institutions such as West Point.
>
> First, the left's smoldering animus toward the South will once again be
> revealed.  For many progressives, the South is still a bastion of
> racism.  The institution of slavery and the guilt associated with it never
> have been and never will be expunged as far as progressives are
> concerned.  Attaching the guilt of slavery to the South still provides a
> handy and frequently used political tool.  Progressives are loath to have
> that tool taken out of their hands, as it reinforces their punitive
> attitude toward the region and conservatives in general.  Removal of the
> portraits doubtless is seen as just retribution for the sins of the past.
>
> Second, progressives love divisiveness and conflict, as it splinters the
> opposition and provides political capital.  Stoking the fires of the old
> Civil War and lighting a match to a new civil war probably is seen as a
> positive development.  After all, turning Americans against one another
> provides a chance for progressives to divide and conquer, as well as to
> effect "fundamental transformation."
>
> Third, the question of just what happens to the history of the Civil War
> if a revisionist trend becomes established protocol for writing history
> must be asked.  Are we soon to see Matthew Brady's and other great Civil
> War 
> photographers<http://listverse.com/2008/11/18/top-20-great-us-civil-war-photographs/>'
> work PhotoShopped, the faces of the offending Southern generals
> erased?  Will revisionist history take on the flavor of the Stalinist
> regime, which forbade any portraits or photos other than those of the
> victorious?  Will Southern history go down a memory hole?
>
> God forbid.
>
> But perhaps there is a bright side to Portrait-gate.  Poking the South in
> the eye may backfire.  The insult to the South's military leaders may be
> one of many ways to stimulate a Southern stampede to the right.
>
> Many Southerners are sick to death of the left's condescending
> stereotypes.  They are tired of being despised for their devotion to
> religion; tired of contemptuous dismissal of their view of the history of
> the Confederacy; tired of being categorized as still being in the
> backwoods, both culturally and socially; tired of being thought of as
> ignorant rednecks descended from regressive stock.
>
> The seemingly insignificant but hubristic takedown of Lee's and Jackson's
> portraits may be a symbolic indication that Democrats in Virginia could
> themselves be in danger of a takedown.
>
> Certainly it would be pleasant to think of the prospect that Virginia,
> which has been slowly turning purple due to strangulation by progressives,
> might once again become bright red with rage.
>
> The conservative South may yet rise again.
>
> *Fay Voshell is a frequent contributor to **American Thinker.  She may be
> reached at [email protected] <[email protected]>.*
>
>
> *Page Printed from:
> http://www.americanthinker.com/articles/../2013/12/erasing_southern_history_the_bonfire_of_the_portraits.html
> <http://www.americanthinker.com/articles/../2013/12/erasing_southern_history_the_bonfire_of_the_portraits.html>*at
>  December 20, 2013 - 09:43:32 AM CST
>
>
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brine
http://brineb.blogspot.com/

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