*Don’t Joke About Obama or Islam*

Posted By *Daniel Greenfield* On April 14, 2015

[image:
http://www.frontpagemag.com/wp-content/uploads/2015/04/Garry-Trudeau-.jpg]

When the Polk Awards decided to honor the murdered cartoonists of Charlie
Hebdo, one obvious name came to mind. Gary Trudeau.

If there is one man who represents the opposite of what the Charlie
cartoonists did, it’s Trudeau. They took risks, Trudeau takes none. They
lived knowing that they could be killed at any moment. There is no person
on earth who would bother killing Gary Trudeau even if it was Kill Gary
Trudeau Day.

Trudeau is that paradoxical creature, the establishment cartoonist, the
party satirist, the hack who dares to say exactly what he is expected to
say. Imagine NPR in a few black and white sketches. That’s Trudeau’s
Doonesbury. Republicans are bad. Liberals are good. And then insert a
topical reference.

The Polk Awards were the best forum for Trudeau. George Polk invented
<http://www.weeklystandard.com/Content/Public/Articles/000/000/013/312mkqme.asp>
[1] heroic wartime exploits that got him a job at CBS. Unlike Brian
Williams, Polk did serve, but he was not a fighter pilot, he serviced
aircraft. In Greece, his dubious reporting attacking Truman and the Greek
government was defended by his lefty colleagues by inventing even more
imaginary heroics that he had never claimed for himself.

By the time they were done, Polk had singlehandedly defeated the Japanese.

After Polk was murdered by Greek Communists, American lefties went all out
to prove that there had been a conspiracy by the Greek government to
silence him. All it took to believe in the Polk Conspiracy was a
willingness to disregard the entire history of Communist activities and how
casually its armed bands, agents and guerrillas killed people across the
entire political spectrum for minor offenses.

But these revelations have not in any way interfered with the Polk Awards.
And the Polk Awards decided to make Gary Trudeau the first cartoonist
honored with an award. Trudeau would join a seminar on “Dangerous Lines:
Cartoonists and Other Subversives” featuring such dangerous subversives as
a writer for The Onion and Obama sycophant Jules Feiffer. It was a seminar
so dangerously and outrageously subversive it could have been held at Whole
Foods.

Trudeau reciprocated by blasting the murdered Charlie Hebdo cartoonists as
free speech absolutists and bigots. He claimed that the cartoons of
Mohammed did not “challenge authority” and argued that “Satire punches up,
against authority of all kinds, the little guy against the powerful.”

While the Charlie Hebdo cartoonists had challenged the authority of a
system of theocracy over a thousand years old, Trudeau’s latest cartoon
mocks people stockpiling gasoline.

Trudeau’s rant, published in *The Atlantic* as “The Abuse of Satire”,
claims that Charlie had pandered to the Jews while offending Muslims,
described Muslims arrested for supporting the attacks as having exercised
their freedom of speech, and contended that by, “attacking a powerless,
disenfranchised minority with crude, vulgar drawings closer to graffiti
than cartoons, Charlie wandered into the realm of hate speech”.

Supporting killing cartoonists for drawing Mohammed is free speech. Drawing
Mohammed is hate speech.

That’s certainly a subversive idea, but it subverts such things as Freedom
of Speech and Freedom of Religion. It subverts the idea that a cartoonist
shouldn’t be killed for challenging a theocracy.

But then what else can an establishment hack denied an administration he
can oppose, subvert? When the establishment of the left is in charge, the
only things left to subvert are the barriers to the absolute rule of the
left.

Dangerous subversives become the destroyers of democracy fighting against
free speech absolutists. The dangerous subversive stops dangerously
subverting and instead lectures on the appropriate uses of satire. He
becomes a commissar who censors with one hand and cartoons with the other.

Real satire exists to challenge the sorts of people who would set out
appropriate uses of it. State satire isn’t satire. Soviet cartoonists in
Krokodil churning out incessant cartoons of capitalists in top hats being
thumped by Communists weren’t satirists. Like Trudeau, they were
establishment hacks pimping out propaganda.

Their work was usually more talented than Trudeau’s, but it was just the
establishment talking to itself.

The left has adopted “Punching up” and “Punching down” as the legitimate
metrics for comedy and satire, but real ‘Punching down’ comes from the
establishment. When an establishment satirist like Trudeau attacks
satirists who risked their lives challenging a real authority with the
power to kill them, what he is really saying is that satire should only
serve the ends and agendas of the establishment.

That is the very definition of “Punching down”. When the establishment
tells you what satire is supposed to be, then anyone following those rules
is punching down.

The entire rhetoric of “Punching up” and “Punching down” limits comedy to a
crude Marxist structural pyramid. The left “Punches up” by building
alliances with “disenfranchised” groups in order to rule. It then uses them
as shields to punch down. Establishment hacks like Trudeau do not refrain
from “Punching down” by mocking ordinary Americans who lack their wealth
and access to power. They claim that by doing so they’re really punching up
on behalf of their disenfranchised shields.

But the model collapses altogether when we consider a segment of the
population that believes that everyone must submit to its religion and is
willing to back up that demand with lethal force.

Muslims are by no means Trudeau’s “powerless, disenfranchised minority”,
but suppose they were. There was a time when the followers of Adolf Hitler
were powerless and disenfranchised. Power is not just about the guy who
wins an election. It’s also about his shadow who is willing to kill to take
over.

Mocking him takes a lot of guts.

It takes no guts to throw another few barbs at Newt Gingrich or Rick Perry
for the entertainment of your lefty audience. Not only won’t their
followers kill you, but they can’t even disinvite you to any of the better
establishment parties. Mocking them is actually a ticket into the cocktail
party circuit. It’s as subversive as Mark Russell tinkling away on the
piano.

We have a lot of “Punching up” satire in America which is as toothless as
that tinkling. We have few satirists willing to mock Obama because that is
a ticket out of every single cocktail party ever.

Saturday Night Live could mock every president, but it drew the line at
Obama. It occasionally builds jokes around him, but it doesn’t draw an
exaggerated ridiculous caricature of him the way that it did of Clinton and
Bush. We’ve seen a drunken lecherous Bill Clinton. We’ve seen a drunken
numbskull Bush.

There’s been nothing like that on the show for Obama. There can’t be. It
would be too dangerous.

There is in fact an easy way to tell whether your satire is really punching
up or down. Try it and see what happens. If you run into a gigantic
backlash that impacts your career and your safety, then you’re actually
punching up. Just ask a rodeo clown out of Missouri
<http://www.frontpagemag.com/2013/dgreenfield/send-in-the-obama-clowns/> [2]
who went out wearing an Obama mask and ended having to go into hiding while
the Governor, a Senator and the Kansas City Star called for his head. Bans
were issued, blacklists were assembled and Obama fans threatened to burn
down his house
<http://www.frontpagemag.com/2013/dgreenfield/obama-supporters-threatening-to-burn-down-rodeo-clowns-house/>
[3].

That’s what real “Punching up” looks like. Real punching up might mock
establishment journalistic awards named after the world’s greatest fake
fighter pilot not named Brian Williams.

To comedy cowards like Gary Trudeau that would be the reprehensible antics
of free speech fanatics who don’t know that there’s good satire and abuse
of satire. They don’t understand that there are jokes that you’re supposed
to tell and jokes that you never should. They might draw Mohammed, and then
in response to the outrage, draw him again and again.

What do you do with people like that? You shoot them. And when they’re
dead, you smear them. Because if you don’t, their courage exposes you for
the cowardly hack that you really are.

That’s what real establishment satirists do. Just ask the old dead Soviet
cartoonists of Krokodil.

*

*Don’t miss Shillman Fellow Daniel Greenfield on The Glazov Gang discuss
The Real Meaning of ‘Allahu Akbar’.*

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URL to article:
*http://www.frontpagemag.com/2015/dgreenfield/dont-joke-about-obama-or-islam/
<http://www.frontpagemag.com/2015/dgreenfield/dont-joke-about-obama-or-islam/>*

URLs in this post:

[1] George Polk invented:
*http://www.weeklystandard.com/Content/Public/Articles/000/000/013/312mkqme.asp
<http://www.weeklystandard.com/Content/Public/Articles/000/000/013/312mkqme.asp>*

[2] a rodeo clown out of Missouri:
*http://www.frontpagemag.com/2013/dgreenfield/send-in-the-obama-clowns/
<http://www.frontpagemag.com/2013/dgreenfield/send-in-the-obama-clowns/>*

[3] to burn down his house:
*http://www.frontpagemag.com/2013/dgreenfield/obama-supporters-threatening-to-burn-down-rodeo-clowns-house/
<http://www.frontpagemag.com/2013/dgreenfield/obama-supporters-threatening-to-burn-down-rodeo-clowns-house/>*

[4] *Click here*:
*http://www.amazon.com/s/ref%3dnb_sb_noss?url=search-alias%3Ddigital-text&field-keywords=david+horowitz&rh=n:133140011%2ck:david+horowitz&ajr=0#/ref=sr_st?keywords=david+horowitz&qid=1316459840&rh=n:133140011%2ck:david+horowitz&sort=daterank
<http://www.amazon.com/s/ref%3dnb_sb_noss?url=search-alias%3Ddigital-text&field-keywords=david+horowitz&rh=n:133140011%2ck:david+horowitz&ajr=0#/ref=sr_st?keywords=david+horowitz&qid=1316459840&rh=n:133140011%2ck:david+horowitz&sort=daterank>*

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