Hmmm ...
http://1.bp.blogspot.com/-6mlw07paglc/Ul16rmtOVfI/AAAAAAAAC0I/2EFUdSjfzDE/s1600/Kaaba.jpg

On Sun, Jun 11, 2017 at 5:46 PM, Travis <[email protected]> wrote:

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> https://www.citylab.com/design/2017/06/the-dark-architecture
> -of-national-security/529302/
>
>
> The Dark Architecture of National Security
>
> How the built environment of the security state reflects the anxieties of
> the modern age.
>
>    - *KRISTON CAPPS* <https://www.citylab.com/authors/kriston-capps/>
>    - Jun 8, 2017
>
> ·
>
> ·
>
> What's going on in there? (National Security Agency)
>
> All that is known about this photo for sure is that it was taken after
> 1986. The Headquarters Building for the National Security Agency is the one
> in the back, a modest nine-story structure that resembles an anonymous
> apartment complex. It was completed in 1963; the lower, mall-shaped
> building, Operations Building 1, predates it by a decade. The more
> prominent towers—a pair of blue-black boxes, Operations 2A and 2B, clad in
> copper to block electromagnetic signals, like a Faraday cage—were finished
> in 1986.
>
> That much is knowable thanks to a 2012 document published by the NSA for
> its 60th anniversary. The agency itself would not confirm when the
> buildings had been finished (or if they even were), according to Jack Self,
> a writer for the U.K. magazine *Dezeen*
> <https://www.dezeen.com/2015/03/26/nsa-headquarters-fort-meade-maryland-privacy-home-jack-self-opinion/>
>  who
> dug into the history of the NSA campus a couple years back, revealing the
> unlikely architects behind the structures.
>
> Mirrored and forbidding, the NSA campus stands as a fortress surrounded by
> a moat of parking. The public knows almost nothing about what happens
> inside: As Self writes, “the authorised information available on the
> building could practically be published in a single tweet.”
>
> A 2007 photo of the National Security Agency Headquarters Building, which
> was built in 1963. (Charles Dharapak/AP)
>
> The NSA dominated headlines this week after *The Intercept*
> <https://theintercept.com/2017/06/05/top-secret-nsa-report-details-russian-hacking-effort-days-before-2016-election/>
>  published
> agency documents on June 5 that detailed Russian efforts to hack the 2016
> election. An hour after the story went live, the FBI arrested Reality
> Winner
> <https://www.nytimes.com/2017/06/05/us/politics/reality-winner-contractor-leaking-russia-nsa.html?hp&action=click&pgtype=Homepage&clickSource=story-heading&module=first-column-region&region=top-news&WT.nav=top-news>,
> an intelligence contractor and the alleged source of the leaked report.
> Winner, who may be released on bond on Thursday, is expected to plead not
> guilty
> <http://www.npr.org/2017/06/07/531956597/reality-winner-accused-nsa-leaker-to-enter-not-guilty-plea>
>  to
> charges of “removing classified material from a government facility and
> mailing it to a news outlet.”
>
> Photos of Winner, a 25-year-old woman who lives in Augusta, Georgia, are
> circulating widely. So is the official photo of the NSA campus in Fort
> Meade, Maryland—one of the most striking architectural images of the
> moment. It is a reminder that the built environment of the security state
> has taken dark turns over the last 30 years.
>
> There is a through-line from the federal government’s most secretive and
> ominous buildings to its most noble and idealistic ones. The NSA’s
> Operations 2A and 2B buildings were designed by Eggers and Higgins, a New
> York architecture firm named after Otto Eggers and Daniel Higgins—the
> architects who completed the National Gallery of Art and the Thomas
> Jefferson Memorial. (The firm has since changed names through mergers and
> acquisitions. Eggers and Higgins were longtime associates of John Russell
> Pope, the original designer of these classical projects; Pope died before
> they were constructed.)
>
> Like the FBI Building, the NSA headquarters is a metaphor for the agency
> it hosts.
>
> The NSA headquarters building is as compelling as it is unsettling—much
> like the J. Edgar Hoover Building
> <https://www.citylab.com/design/2014/07/requiem-for-fbi-hoover-building/375279/>,
> the headquarters for the FBI. The hundreds of cars parked around the
> building stand in for the thousands of intelligence workers inside—the
> serfs of the deep state, as it were. The photo anonymizes them: It’s not
> possible to make out the make or model of most of the vehicles, much less
> any information about the lives of the employees who drive them. Dots of
> colors of vehicles reflected in the mirrored building envelope betray
> nothing about what happens inside. Fort Meade looks like it might be the
> end of the earth, an exurb you never hope to have reason to visit. Like the
> FBI Building, the NSA headquarters is a metaphor for the agency it hosts.
>
> The Bureau of Alcohol, Tobacco, Firearms and Explosives headquarters,
> pictured in 2008. (Ketzirah Lesser and Art Drauglis/Flickr
> <https://www.flickr.com/photos/wiredwitch/2509575163/in/photolist-cVL3M1-5tbJcw-4MxM8E-7f71KK-4MsZcM-22PRW9-4W9gnr-M261cx-sHC6yq-e4MQd2-a8Eda2-e4Tspo-e4Tsi9-N9PcaP-93z2ZR-4PLegi-8jruSj-6tSkfW-4Q7CSF-Q86Acq>
> )
>
> The Bureau of Alcohol, Tobacco, Firearms and Explosives headquarters in
> Washington, D.C., is another piece of security architecture with a design
> pedigree. It was built by Moshe Safdie, who is best known for designing Expo
> 67
> <https://www.citylab.com/design/2017/04/a-look-back-at-expo-67s-us-pavilion/524589/>
>  in
> Montreal and Crystal Bridges <http://crystalbridges.org/> in Bentonville,
> Arkansas. Elsewhere in D.C., he designed the U.S. Institute of Peace
> <https://www.washingtonpost.com/lifestyle/style/not-at-peace-with-buildings-style/2011/05/17/AFsPuy7G_story.html?utm_term=.02578d6b905e>,
> a building that is more frequently mentioned in connection with Safdie’s
> name locally than the ATF Building.
>
> But the latter is absolutely more distinctive, especially as an example of
> security theater in the built environment. ATF’s headquarters, completed in
> 2008, was the first to abide by new security standards set forth for
> federal buildings after the Alfred P. Murrah Federal Building bombing in
> Oklahoma City in 1995. Blast-resistant glass is a defining feature, as are
> deep setbacks—a “landscaped demilitarized zone between the building and the
> street,” as critic Witold Rybczynski once put it. Much of the ATF campus is
> given over to pure design: Two giant arching wings form a crescent “garden
> wall” along the north and west sides of the building, which face out to the
> busy intersection of New York and Florida Avenue NW. (A grave concern, then
> and now: As far back as 2003, al Qaeda was pledging that “cars of death”
> <https://www.theguardian.com/politics/2003/nov/23/terrorism.turkey> would
> rain destruction down on D.C.)
>
> The Embassy of the United States in London, designed by KieranTimberlake.
> (KieranTimberlake)
>
> A paranoid style is easy to spot in even the more sophisticated national
> security designs from the post–9/11 era. Consider the forthcoming U.S.
> Embassy in London, a $1 billion landmark designed by KieranTimberlake.
> While (soon-to-be former) Rep. Jason Chaffetz described the project’s glass
> curtain wall as “opulent looking,”
> <https://www.c-span.org/video/?401738-1/hearing-building-new-us-embassy-london>
>  his
> comments came during a discussion about whether Congress could rely on
> claims that this façade would be utterly blast proof. As my colleague Amanda
> Kolson Hurley
> <http://www.cnn.com/2017/05/04/architecture/us-embassy-design/index.html> 
> explains
> for CNN, critics say that the embassy—which also gets its own moat—is too
> forbidding. The architecture of the security state is awesome: terrible in
> its implications, but also an almost poetic reflection of national anxiety.
>
>
>
>
>
>
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