Sometimes the editorial cartoon is the only part of the editorial page worth
reading.

On Fri, Jun 12, 2009 at 12:00 PM, Cold Water <[email protected]> wrote:

>    *SPECIAL REPORT: Will the Editorial Cartoonist Vanish?
>
> **By Mark Fitzgerald
>
> Published: June 12, 2009 1:55 PM ET
> *
>
> *CHICAGO To be a newspaper staff editorial cartoonist these days is to
> live in dread that the next phone call is coming from the human resources
> department. "There's a great sense of dismay and gloom in the editorial
> cartooning world," says Steve Greenberg, a member of that fraternity.
> Because their numbers were so small to begin with, the departure of
> cartoonists amid the mass layoffs in newsrooms around the nation has had a
> huge impact on the craft.
>
> MSNBC cartoonist Daryl Cagle, who hosts the Political Cartoonists Index Web
> site, counts more than 30 who took buyouts or were laid off by mid-April,
> including such well-known figures as Don Wright at The Palm Beach (Fla.)
> Post, Jim Borgman at The Cincinnati Enquirer and Bill Day at The Commercial
> Appeal in Memphis, Tenn. More recently, the departures of editorial
> cartoonists have been coming at a rate of two or more a month.
>
> "The number of staff editorial cartoonists who are extremely safe is tiny,"
> says Greenberg. He speaks from experience: Before he was laid off at the
> Ventura County (Calif.) Star last November, he reasoned that he was safe
> because cartooning was a secondary job to his main occupation there in news
> graphics.
>
> Winning a Pulitzer Prize isn't even enough in some cases. David Horsey, who
> won Pulitzers for cartooning in 1999 and again in 2003, lost his job when
> the Seattle Post-Intelligencer ceased print publication. Though he stayed on
> as the newspaper went online-only, he now draws for all Hearst papers, but
> not as a local cartoonist. Following the layoff of Eric Devericks at The
> Seattle Times last December, there is no major-metro local editorial
> cartoonist in Seattle.
>
> Being syndicated is also no job guarantee. In King Features' stable of
> editorial cartoonists, for instance, are Brian Duffy, who was laid off from
> The Des Moines Register in December, and John Branch, who was let go at the
> San Antonio (Texas) Express-News in March. The two continue to draw, and are
> included in the syndicate's weekly "The Best and the Wittiest" package.
> "They're still extremely good at what they do, and we still value what they
> do," says King Features Comic Editor Brendan Burford.
>
> Losing their staff positions hasn't affected their marketability, Burford
> adds: "I think there's a lot of sympathy for those cartoonists who are laid
> off or take the buyouts. It doesn't speak to how good they are, it just
> speaks to the economy of newspapers these days."
>
> Chip Bok, who took a buyout from the Akron (Ohio) Beacon Journal, is
> another example of a cartoonist without a newspaper who continues to be
> syndicated, in his case by Creators Syndicate. "I'm concerned about them as
> a friend, but on the other hand we're hoping there will be opportunities" in
> new media in the future, says Creators President and CEO Richard S.
> Newcombe.
>
> This exodus of editorial cartoonists, however, isn't creating any real
> selling opportunities to newspapers suddenly without staff artists,
> syndicates say. "I wish I could tell you there was something positive out of
> this," Newcombe adds. "That certainly seems to be what logic would dictate —
> but at the same time, budgets have been cut so much that I haven't seen any
> change. It's just such a depressed market these days."
>
> Another reason there's been no bump for the syndicates is that newspapers
> with staff editorial cartoonists often were also substantial buyers of
> syndicated cartoons, says King Features' Burford. While the demand for that
> material hasn't slackened, neither has it increased, he notes.
>
> Greenberg, who self-syndicates cartoons themed for Jewish newspapers,
> admits he is experiencing the same stalled demand. "I would have thought
> there would be more opportunity for freelance work because of the cuts," he
> says, "but unfortunately, freelance budgets are being cut too."
>
> *
> *
> ------------------------------
> Mark Fitzgerald 
> ([email protected]<http://www.editorandpublisher.com/eandp/news/mailto:[email protected]>)
> is E&P's editor-at-large. *   * * ** * * **
>   * *  *Find this article at:
> **
> http://www.editorandpublisher.com/eandp/news/article_display.jsp?vnu_content_id=1003983727
> *<http://www.editorandpublisher.com/eandp/news/article_display.jsp?vnu_content_id=1003983727>
> * *
>  * *
> **
>
> >
>


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