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From: Mises Daily <[email protected]>
Date: Mon, Apr 26, 2010 at 9:19 AM
Subject: Totalitarianism and the Politics of Sex



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Advancing the Scholarship of Liberty in the Tradition of the Austrian
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April 26, 2010

Mises Daily

  Today's other Mises Dailies:
The "Frenchie" Memorial
Scholarship<http://mises.us1.list-manage.com/track/click?u=bf16b152ccc444bdbbcc229e4&id=d74c1c697d&e=dad15751f5>by
Doug French

DeLong on the 
Austrians<http://mises.us1.list-manage.com/track/click?u=bf16b152ccc444bdbbcc229e4&id=ef70114d5c&e=dad15751f5>by
Robert P. Murphy

Totalitarianism and the Politics of
Sex<http://mises.us1.list-manage.com/track/click?u=bf16b152ccc444bdbbcc229e4&id=e1179f7c98&e=dad15751f5>
*by Floy Lilley* on April 26, 2010

[Review of 
*We*<http://mises.us1.list-manage.com/track/click?u=bf16b152ccc444bdbbcc229e4&id=9333ffbbf6&e=dad15751f5>•
by Yevgeny Zamyatin, translated by Natasha Randall • New York: Modern
Library, 2006. An MP3 audio file of this article, read by Floy Lilley,
is available
for 
download<http://mises.us1.list-manage1.com/track/click?u=bf16b152ccc444bdbbcc229e4&id=b379bb341b&e=dad15751f5>
.]
<http://mises.us1.list-manage.com/track/click?u=bf16b152ccc444bdbbcc229e4&id=f0065f0b9c&e=dad15751f5>

The time is a far, far future, 2600 AD. The One State has had total control
over the lives of millions for at least one thousand years. Every
alphanumeric person (no humans have names any longer) lives only to
perfectly and obediently perform assigned machine-like functions exactly in
synchronization with others. This existence provides the highest service,
the highest happiness — the ultimate in production and cooperation. Or so
the propaganda functionaries keep assuring all. Having conquered the world,
the One State intends to conquer the solar system.

One obedient mathematical engineer, building the spaceship for that mission,
unwillingly discovers that he cannot experience the unsettling emotion
called "love" without nearly drowning in the treacherous and treasonous
waters of individualism: pure poison. From an inbred devotion to the
Benefactor, D-503, our hero and narrator, writes a confessional diary for
the good of all and the future edification of other populations in space. He
confesses to total confusion.

Can the perfect One State persist without a glitch if he, chief engineer of
its giant glass spaceship, has a torrid affair with a woman from the wrong
side of the tracks? The wrong side of the Wall? The wrong side of the dogma?
How long can the hero, D-503, go without sleep, miss work, break all the
rules, foil the strong-arm men, betray the pink-ticket cipher who wants to
have his child, have carnal knowledge of the head rebel, and even use the
spaceship as his own tool?

*We*, this satirical and heretical dystopian futurist book, ends by
resolving whether D-503 ever again finds penultimate happiness in the cocoon
of the One State even as his lover faces execution, or whether the cruel
regime is so broken that it cannot be put back together.

*We* is a universal classic. The promise of hope and change electrifies
young student activists. The Bolshevik rebellion in Russia in 1917 certainly
did. That is, it did until it morphed into unrecognizable nightmares of
state control, censorship, and cruelty.

Sharing the hope and then the horror of Petrograd in the 1920s, Yevgeny
Zamyatin and Ayn Rand (Alissa Zinovievna Rosenbaum) were contemporaries.
Rand was entering Petrograd (Leningrad) University where she majored in
history and took a minor in philosophy. Zamyatin, with a predilection for
entering prisons, was doing time. A student activist, Zamyatin was convinced
that "true literature must be created by madmen, hermits, dreamers, rebels,
and skeptics," so he used his incarcerations creatively. In 1921 he wrote
the book that would inspire Rand to write *Anthem*, Orwell to write *1984*,
and Huxley to write *Brave New World*.

And what a book it was. What a book it is.

*We* is Zamyatin satirizing both capitalism and communism. He perceived
these social systems to be turning humans into soulless machines. To
Zamyatin, capitalism created automatons through the Progressive Era's
Efficiency Movement, led intellectually by F.W. Taylor, the father of
scientific management. Communism bludgeoned the new Soviet Man into cruel
and unthinking "dead-alives."

In *We*'s future society the entire population is comfortable only in
fetters. Even before their imaginations are removed, these millions are
gratified by chewing in unison a meticulous 50 times to a metronome each
petrochemical food cube. No freedom exists. No desire for freedom exists —
until the mathematician D-503 meets I-330. The sparks that fly on a
regulated Sex Day, when the blinds can be lowered, ignite D-503. D is never
quite sure what he is, but he is never the same again.

Zamyatin could have been the original texting man. He writes in short
sentences and cryptic, mathematical code. Zamyatin was an engineer; Randall
is a physicist. Her fresh translation in 2006 makes good use of her
understanding of the coded subtext. Randall asserts that if the author were
writing *We* today he would have had the narrator D-503 "put the story in
the form of a blog. It is funky, punky language."

Bruce Sterling claims in his foreword that, "*We* is one of the first
attempts to write about the future through the consciousness of someone born
there and living there." It is also possibly one of the first dystopian
works ever written. Sterling, a science-fiction writer in his own right, was
duly impressed that Zamyatin in 1921 had created such sci-fi staples as

hermetically sealed cities, synthetic food, unisex suits, Metropolis-like
crowds of drones marching through cyclopean apartment blocks, whizzing,
roaring trips in giant spaceships, and mind control through brain surgery.


<http://mises.us1.list-manage.com/track/click?u=bf16b152ccc444bdbbcc229e4&id=4eec7160f0&e=dad15751f5>

$14<http://mises.us1.list-manage.com/track/click?u=bf16b152ccc444bdbbcc229e4&id=6ca347328d&e=dad15751f5>
"Zamyatin's book was the first to be banned by the newly created censorship
board."

Sterling notes that the author, who had been an ardent Bolshevik supporter,
was crushed by Stalin; Zamyatin died poor and unheralded in 1937. Zamyatin's
book was the first to be banned by the newly created censorship board.
*We*was never even published in Russia until near the fall of the
wall, in 1988.
The story of the "cruel descent of the Bolshevik rebellion into frozen dogma
and totalitarian stasis" only made its rounds in his homeland as a tattered
manuscript passed from hand to hand. The first publication in English in
1924 was the version that made its way into the imaginations of Rand,
Orwell, and Huxley.

Zamyatin would probably be amused to know that his codifications,
supercharged brevity, and syllogisms have combined to make *We* the "second
most studied Russian novel of the twentieth century among Western scholars."
But he would be downright enchanted to know that his own embrace of
revolution and human action over entropy is uncannily relevant today.

Floy Lilley is an adjunct scholar at the Mises Institute. She was formerly
with the University of Texas at Austin's Chair of Free Enterprise, and an
attorney-at-law in Texas and Florida. Send her mail<[email protected]>.
See Floy Lilley's article
archives<http://mises.us1.list-manage.com/track/click?u=bf16b152ccc444bdbbcc229e4&id=34a57a481b&e=dad15751f5>
.

An MP3 audio file of this article, read by Floy Lilley, is available for
download<http://mises.us1.list-manage.com/track/click?u=bf16b152ccc444bdbbcc229e4&id=e4d9384eac&e=dad15751f5>
.

Comment on the 
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You can subscribe to future articles by Floy Lilley via this RSS
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