* Bluegrass gets jolt from Ricky Skaggs and Steve Earle
      By Jim Patterson

      Associated Press writer
          * 02/27/99
      Deseret News
            Copyright (c) 1999 Deseret News Publishing Co.
   *   NASHVILLE, Tenn. -- Not long before he died, bluegrass founder Bill
   * Monroe confided to country music star Ricky Skaggs that he was worried
     his brand of music was dying, too.
   *   Monroe passed away in September 1996, but bluegrass hasn't. Skaggs
and
     a handful of other well-known and not-so-well-known artists have seen
to
     that.
TD *   Skaggs released his "Bluegrass Rules!" album in 1997 and followed it
   * up this year with "Ancient Tomes." Nashville outlaw Steve Earle and
   * onetime Monroe band member Del McCoury also have new bluegrass albums
     that are superb.
   *   Bluegrass has been stigmatized, Skaggs said. "It's 'Deliverance,'
it's
     'The Beverly Hillbillies' ...
   * get-drunk-at-a-bluegrass-festival-and-fall-over kind of music. And it's
     not. There's so much more depth to it than that."
       Monroe should have known his music would survive. During his
lifetime,
   * bluegrass weathered the rise of rock 'n' roll and the cold shoulder of
   * the country music industry, which still treats it like an embarrassing
     relative.
   *   "This is the original alternative country music," Earle said. "It's
     fun. It's the most fun I have playing music."
   *   Skaggs, 44, a former bluegrass prodigy who scored a string of No. 1
   * country singles in the 1980s, said bluegrass deserves a larger role in
     the current country market.
       "(Garth Brooks') music ... may be the legs and the hands and the head
   * right now of country music, but I'm telling you, the heart and soul of
   * this music beats in tradition. It beats in bluegrass," said Skaggs,
   * whose new album includes updates of bluegrass numbers by Monroe and The
     Stanley Brothers.
       It got its name from Monroe and his Blue Grass Boys who invented the
     form in the 1930s. Fast, intricate and dominated by acoustic strings
and
   * tight vocal harmonies, bluegrass became marginalized in the 1950s when
   * country music artists reacted to the rise of rock 'n' roll by putting
     more emphasis on drums and electric guitars.

   *   Bluegrass, still primarily acoustic and drumless, benefited from the
   * folk music revival of the 1960s and has developed separately from the
   * rest of country music ever since.
       It is popular enough today to support more than 500 music festivals
     each summer. It's also blessedly free of having to kowtow to radio
   * programmers, since country music stations won't play bluegrass.
       "Back in the '50s you'd hear Bill Monroe and Flatt & Scruggs and
     Ernest Tubb and Roy Acuff all on the same station," McCoury said. "Then
   * of course (bluegrass and country) got segregated as years went by."
       The result is that outside of live shows and an occasional public
   * radio station broadcast, it's hard to hear bluegrass music without
     buying an album. That's a shame, given the deep talent pool in modern
   * bluegrass.
       New albums by McCoury, master dobro guitarist Rob Ickes and J.D.
Crowe
     and the New South illustrate the diversity and excellence of modern
   * bluegrass.
       Ickes interprets Herbie Hancock on his jazzy "Slide City" album,
while
     Crowe and his band play hard country Merle Haggard and Charley Pride
     hits on "Come on Down to My World."
       "The Family," a new album by The Del McCoury Band, shows the best

   * current bluegrass band and singer at the top of their game. The Del
     McCoury Band also backs Earle on his album, "The Mountain."
   *   For Earle, a gifted songwriter who has hopscotched across folk, rock
     and country over the years, making "The Mountain" presented a writing
   * challenge and an opportunity to record the kind of country music he
     loves.
       Earle, 44, who said he no longer cares about what's going on with
   * mainstream country music, and when he goes out in Nashville, it's to
   * listen to bluegrass.
   *   For those looking to get a taste of bluegrass, a good starting place
     is the newly released second volume of Vanguard's "Generations of
   * Bluegrass" featuring everything from classics of The Osborne Brothers
     and Monroe to contemporaries like Sam Bush, Jerry Douglas and Skaggs.
       Also worth seeking out is last year's "Clinch Valley Country" by
     legendary band leader Ralph Stanley. Country singers including Marty
     Stuart, Vince Gill and Patty Loveless perform on the double CD of
     duets.
   *   "It's a little hard to convince people to give (bluegrass) a try,"
     Skaggs said.
   *   "Throw away everything you've ever heard about bluegrass. This is a
     new day, there are new musicians. You've got people like Del McCoury,
     Blue Highway, Alison Krauss -- there's great musicians out there
     bringing a quality music that has substance, it has heart and soul. ...

   *   "I think it's a great time right now for bluegrass to rise to the
     occasion."




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