Hi Slau. That's encouraging. Thank you very much for all you've
invested in this quest;time, work, money etc.

If it did come down to something like a Kickstarter fundraising
campaign, I for one would certainly contribute financially and help
spread the word via social media etc.

Cameron.





On 11/14/12, Slau Halatyn <[email protected]> wrote:
> As some of you might recall, David Gibbons, the person who was truly to
> thank for finally making the work of accessibility happen at Digidesign,
> left the company a couple of years ago. He was and continues to be a great
> source of support for the cause of making Pro Tools more accessible. The
> reigns within Avid were handed to Bobby Lombardi. Bobby was present at the
> meeting where we saw the first results of the programming work done for
> VoiceOver. Bobby, in fact, was the first and only person of those who
> attended that meeting to respond to my follow up email thanking those in
> attendance. Unfortunately, Bobby took over at a time when Avid began to
> slash their workforce. Massive layoffs commenced and Avid underwent severe
> cutbacks. During this time, my limited contact with Bobby made one thing
> clear: Avid was not going to do anything concerning accessibility when they
> were scrambling to minimize their bleeding. It was also quite clear that
> Avid's focus was on their video market. It's widely known that Avid bought
> Digidesign to ensure a robust audio platform for their video business. With
> Pro Tools in the service of their Avid video production environment, the
> music production aspect of Pro Tools was cut back. Hence, the sale of
> M-Audio (where they lost tens upon tens of millions) and the cutting of
> Advanced Instrument Research  or AIR plug-ins. With resources at a minimum
> and continuing to shrink, it was communicated to me that things were highly
> uncertain because of their inner crises. there was never a time when Bobby
> outrightly said they would not continue the work. He only indicated that
> they essentially had no development capacity. He suggested that they might
> be able to gain some headway through something called "hack-a-thon" where
> engineers essentially spend a weekend to take on a programming project just
> to throw things on the wall and see what sticks. Sometimes, it's a pet
> project, a new feature, a shot in the dark. Sometimes it can be an idea put
> forth by a given team. He suggested that it might be a way to address the
> immediate issue of the AAX plug-in accessibility. After weeks had gone by
> and there seemed to be no word, I scheduled the meeting for October.
>
> Bobby, as nice of a guy as he is, is not the best at returning emails. He
> did, however, promptly reply to me and agreed to the meeting. In fact, he
> invited a couple of other people at Avid including Rich Holmes, another
> attendee from our last meeting. Bobby did mention in his reply that someone
> had taken a look at the AAX issue and they didn't see any easy way to fix
> it. This didn't concern me at the time because I felt it was more important
> to have the meeting and address the bigger picture first. By the time it got
> to our meeting there were several more people present including guys from UI
> design, programming, special projects and partnering. The partnering guy is
> the one in charge of third-party developers. This was probably going to be
> an important person at some point along the way.
>
> When I got to the meeting, I saw Rich Holmes first. As I mentioned, Rich was
> at the previous meeting. He was quite impressed with the work Xiang, the
> intern, had done with VoiceOver support in Pro Tools back in 2009. At that
> meeting, Rich asked a lot of questions and took a very genuine interest in
> the subject. He was the one who was concerned with plug-in accessibility
> when we faced the possibility of not having plug-in accessibility in the
> initial 8.0.3 release. His concern was, if we didn't have accessible
> plug-ins, what was the point? In other words, he felt that it was important
> enough to pursue a solution somehow.  I indicated to him that, while
> plug-ins were certainly critical, it would at least be usable for recording
> and editing, at least for a start. As it turned out, Xiang figured out a
> work-around and managed to implement it for the 8.0.4 release. Anyway,
> that's just a little background about Rich. back to our previously scheduled
> meeting…
>
> I was told that Bobby would probably not be joining us. It wasn't entirely
> surprising to me because I had learned, quite accidentally, from an
> interview with bobby on Pensado's Place that bobby was no longer in charge
> of Pro Tools and that he was moving over to the Sibelius side of things.
> rich Holmes was the new person in charge of Pro Tools, both hardware and
> software. Frankly, I was relieved that the new person to take over was a
> person with whom I've already interfaced and had some background with.
>
> The next person to walk in was a bit of a surprise. It was Ed Gray, the
> person in charge of partnering, like I said, the third-party developer
> liaison. Ed's been with Digidesign/Avid for about 17 years. Several years
> ago, Ed started having trouble with his vision due to glaucoma. Two years
> ago he lost a significant amount of sight and he is now legally blind and
> uses a white cane. Surprise, surprise, eh?
>
> Once the others were in attendance, I went over the agenda. I did break the
> ice, so to speak and not that there was any ice to begin with necessarily,
> by saying I would be happy if 3 things happened: Number 1, if the San
> Francisco Giants won the World Series against the Detroit Tigers. This
> yielded the desired response until I also mentioned that, although I was
> from New York, my ex-wife is from Detroit. This got an even better response.
> This is all to say that the atmosphere was friendly and, although the nature
> of the meeting was serious business, I felt it was important to balance it
> with some levity. That mission accomplished, we discussed the issues of
> plug-in format, the fact that the current aAX is essentially a transitional
> format, the various tables that are not accessible because they're custom UI
> elements, the various windows that are not yet accessible, etc. We covered a
> lot of areas including the fact that the 64-bit version of Pro Tools would
> be in alpha in the near future and that it would likely be released some
> time next year, perhaps the middle of the year. Rich Holmes said that this
> was a perfect time to consider these issues because of the imminent new
> version.
>
> The gorilla in the room was the issue of development capacity. I did make it
> clear fairly early on that I recognized the issue and that it wouldn't deter
> me from laying out the issues and discussing possible solutions. When we
> finally got through the major points, I proposed an idea that I hoped would
> prompt a certain response. It was a bit of a gamble but I thought it was
> worth it. The response was, in a way,  actually better than I had hoped.
> Here was my proposal:
>
> Given that Xiang had spent roughly 4 weeks working on accessibility, I
> suggested that if someone were to spend another, say two or three months
> exclusively working on the same issue, we'd probably get just about
> everything working. Now, this, of course, takes money. Money is something
> they are not rolling in. Pick up the Wall Street Journal and you'll get a
> good idea of how Avid's doing when articles about them appear in the
> financial section. I do know that Avid has historically outsourced their
> work to a company called Global Logic in Kiev, Ukraine. As some of you know,
> I regularly travel to Kiev to engineer orchestral recording sessions and I'm
> fluent in Ukrainian. First of all, Avid wouldn't outsource to anybody
> outside their established corporate relationships so this covered that
> angle. From a project manager standpoint, I could personally interface with
> a programmer from global Logic to handle the work, Avid wouldn't have to
> worry about that aspect. A programmer could work alongside the normal
> development without stepping on anyone's feet.
>
> The last part of the puzzle was the funding. I suggested that I could start
> up a KickStarter  campaign to raise funds to pay Global Logic for the work.
> Yes, it would place a burden on me to raise the money and, yes, it would
> take some time but I'm confident that it could be done. It would mean no
> burden for Avid whatsoever and we could get it done. Stay with me.
>
> Before we could discuss any more details about that approach, Rich made it a
> point to say that he felt this might not be necessary. The way he saw it,
> just as there was an initiative in Pro Tools 10 for international language
> support, there should be a similar initiative for VoiceOver support. He
> posited that accessing Pro tools through VoiceOver is not really different
> than accessing it through another language. Naturally, I was glad to hear
> that coming from him. Others chimed in with similar support of his position.
> In fact, they felt it should be an initiative throughout the product line
> including Sibelius. The person in charge of special projects, Phil something
> (his surname escapes me), actually comes from Sibelius. He's well aware of
> the accessibility that JAWS users had under Windows. Again, the support of
> the people in Daly City was clear and, in my opinion, genuine.
>
> Of course, taking this path would require essentially going to the top, to
> the CEO of Avid, Gary Greenfield. Everyone at the meeting spoke highly of
> Gary. They referred to him as a good guy and conscientious. This might sound
> strange in light of the fact that Avid has gone through a horrible time.
> rich and I agreed that we would both write letters to Mr. Greenfield. If
> successful, this approach would ensure that the work of accessibility would
> simply become part of the process of programming and in-house testing.
> Without that, it's likely that things would just continue to break down.
> Now, that's not to say that nothing could be done in the future but there's
> absolutely no telling when and it seemed like a more durable choice to get
> it sanctioned rather than to hope for a window of opportunity that would
> likely never come.
>
> As some of you know, I attended the 133rd Aes convention that weekend and,
> consequently, was stranded in San Francisco for several more days. When I
> got back, I had to catch up with a number of issues. Two days ago, on
> Monday, I sent a letter to Gary Greenfield. At the risk of making this
> message entirely too long, I'm posting it below:
>
>
> "Dear Mr. Greenfield,
>
> I'm writing to you on behalf of blind Pro Tools users throughout the world
> with an urgent request regarding the accessibility of the software. At the
> outset, I should mention that I recently met with several people in Daly
> City and we concluded that we should go to the top to ensure that the matter
> is resolved in a lasting manner. There's some history to this situation
> which I'll address as briefly as I can, and will gladly provide more
> background if needed. Hopefully I can paint a clear picture of how we've
> come to this point and the crisis we currently face.
>
> Back in the mid '90s, there were a number of blind audio professionals who
> were interested in using Pro Tools. Using a third-party program called
> outSPOKEN, they attempted to navigate Pro Tools within Mac OS 9, but there
> was a problem with the systems crashing. Rick Boggs, a blind producer in Los
> Angeles, managed to get the folks at Digidesign and the folks from Berkeley
> Systems (the makers of outSPOKEN) to put their heads together to figure it
> out. They found that some code in the DAE (Digidesign Audio Engine) software
> was causing the problem, so Digidesign altered it. With that, Pro Tools
> became the most accessible DAW platform for blind users. It was at that time
> that I and other blind engineers invested in our Pro Tools HD systems.
>
> When Apple released OS X, there were no third-party screen readers on the
> market available for it. Blind users stuck to OS 9 for a few years and it
> wasn't of great concern to those who used Pro Tools because Digidesign
> didn't make its own transition to OS X support for quite a while.
> Eventually, Apple decided to build a screen reader called VoiceOver right
> into the operating system. At that point, Pro Tools was already available
> for OS X and a few of us were eager to upgrade to the latest version
> (v6.4).
>
> Unfortunately, the upgraded version of Pro Tools turned out to be
> inaccessible. The only things one could access were the menu bar and a
> handful of dialogs that used the Apple framework. Everything else, it
> seemed, was invisible to VoiceOver. A few of us tried to contact Digidesign
> regarding these issues but were unable to make much headway. Eventually, we
> began a petition calling for Digidesign to commit to action, gathering over
> 1,200 signatures. We were about to send it to various officers in the
> company when I received a call from David Gibbons (then V.P. of Marketing)
> inviting me to come to Daly City to discuss the situation. Digidesign had
> become aware of the petition and the issue had finally reached someone who
> took interest. At our first meeting in 2006, I demonstrated the level of
> accessibility I had under OS 9 with outSPOKEN and how, under OS X, the
> latest version of Pro Tools was completely inaccessible. It was clear to
> David that we had something that used to work but that was now broken and
> needed to be fixed. Incidentally, more details about our meeting and the
> actual petition can be found at:
> http://www.protoolspetition.org
>
> It turned out that Avid had been planning a few transitions in the code,
> which needed to happen before undertaking any work on accessibility.
> Essentially, they needed to follow Apple's programming guidelines to define
> the windows and controls in such a way that VoiceOver would recognize them.
> In 2008, an intern was assigned to the project and spent a few weeks adding
> the required bits of code. I flew out to Daly City toward the end of the
> process to provide feedback. It was amazing to see how much he had completed
> in that short amount of time.
>
> Pro Tools 8.0.4, released in 2009, was the first version to include those
> coding additions, which allowed it to support the VoiceOver feature in OS X.
> Though still perhaps only 70% accessible, it was at least usable. Subsequent
> versions continued to be mostly accessible until version 10, where something
> broke. The new AAX plug-in format was significantly different and,
> unfortunately, the issue of accessibility wasn't foremost in anyone's mind
> as they developed it. To add to this, David Gibbons was no longer at Avid
> and the issue of VoiceOver compatibility appeared to fall by the wayside.
>
> Since I was going to San Francisco for this year's AES show, I scheduled a
> meeting with several people in Daly City. It became clear during our meeting
> that the actual work isn't especially difficult. Rich Holmes suggested that
> accessing Pro Tools through VoiceOver is really no different than accessing
> it in another language. Given the push for international language support in
> Pro Tools 10, it would seem that VoiceOver support could fit naturally
> within this effort. However, we agreed that rather than take a skunkworks
> approach to accessibility (as had been done before), it would behoove us to
> make it official and have the support of the CEO to ensure that it simply
> becomes part of the UI process and in-house testing. I was encouraged to see
> genuine support for making sure that Avid's product line is fully
> accessible. Rich said that he would write a letter to you and I agreed to do
> the same.
>
> Please pardon the somewhat lengthy journey I've taken to this point but
> here's where I make an appeal to you as the person who can make this happen.
> I know that Avid receives requests of all kinds for new features. Please
> consider the fact that while most people's requests have to do with
> preferences or workflows, our request for access to Pro Tools means the
> difference between being able to use Pro Tools or not. Yes, we currently
> have some degree of accessibility but, now that plug-ins are not accessible,
> we're seeing stuff beginning to break. With the shift to 64-bit, it's likely
> that other things might break if left unchecked. The actual amount of work
> necessary is not great when you consider that it's largely a matter of
> defining and labeling elements. We're not asking for anything more than for
> Avid to follow Apple's published programming guidelines, which will ensure
> that Pro Tools is accessible.
>
> Gary, I regularly receive emails from blind students and professionals from
> all over the world who, when they encounter Pro Tools, are so excited to
> learn that it's fairly accessible right out of the box. They're equally
> concerned when they learn that the new plug-in format is not accessible. Who
> knows what the future will hold unless universal design is made a
> consideration. I, too, have a personal stake in this. I make my living as an
> audio engineer and recording studio owner. I'm a trained professional who
> wishes to use the platform of choice alongside my sighted colleagues. I have
> no esoteric requests. I'll leave that to the sighted folks ;) My request—our
> request is that Avid follow Apple's programming guidelines and maintain an
> accessible Pro Tools for blind users through the VoiceOver feature built
> into Mac OS X.
>
> I know that you will appreciate the weight of this request. It's probably
> one of the most important letters I've ever had to write. I also have
> hundreds of blind audio professionals waiting anxiously with the hope that
> Avid will commit to making its products accessible. Thank you so much for
> taking the time to read this and I hope you can make it happen.
>
> Best regards,
>
> Slau Halatyn"
>
> So, the above message went out to Gary Greenfield and chris Gahagan, EVP of
> Avid. I also copied Rich Holmes. The letter also made its way to Ed Gray who
> sent me a message. I'm sure he wouldn't mind that I post part of it below:
>
> "Dear Slau,
>
>> Your letter to Gary was passed on to me and I can’t express how much I
>> appreciate it.  You expressed yourself extraordinarily well and gave a
>> transparent history which is essential.   I know, having spoken to Rich
>> since our meeting, that he is dedicated to delivering the results you are
>> asking for.  I will  stay on top of this for you and I am your ally in
>> this initiative."
>
> So, that's where we currently stand. We're awaiting word from the top to see
> if accessibility can officially become part of the process. It would,
> indeed, be the best scenario for us. If we do get a commitment, great. If
> not, I won't let it drop. Gary Greenfield is unaware of my initial proposal
> for a fund-raising campaign. I still feel that it would be feasible and
> successful if we had to undertake it. There are those who will undoubtedly
> feel that we shouldn't have to raise funds for something Avid should do on
> their own dime. Yes, I agree in principle. However, it is a viable option
> and, if we must go there, so be it. That's where public outreach and social
> networking will be required big time. For now, we need to wait and see what
> the official response from Gary Greenfield will be. Whatever the response, I
> will inform him that I plan to make it public. I don't mean that as a
> threat. I mean, I will ask him for a formal statement either way. I trust
> that his response will be hopeful and that Avid will make a formal
> commitment to action. The commitment made some years ago was on the part of
> several conscientious individuals at Digidesign. It's time for Avid, as a
> company, to respond. That's what I'm looking for before the next move. We'll
> see how it goes from here.
>
> As I stated in a previous message, my personal commitment is to see this
> through at least until we have a response. At that point, I'll make a
> personal decision. If the response is positive, I'll continue to work with
> Avid in the near future to ensure they have whatever they need in terms of
> feedback, beta testing, etc. My involvement beyond that, by design, will be
> minimal because, by nature, if the issue of accessibility is part of the
> process, it won't require high maintenance.
>
> If, however, the official response is not in our favor, I will proceed with
> Plan B involving possible fund-raising through KickStarter. I will only do
> this if enough people on the list support me in that approach because it
> will certainly require pounding the pavement. We did that before and we can
> do it again. Even this approach would require Avid's approval. They may go
> along with it, they may not. We'll cross that bridge if we get to it.
>
> Some of you might have the possibility of legal action in the back of your
> mind. For the record, I'm against it at all costs. Actually, I should more
> accurately say that, to me, it should be an absolute last resort. I
> personally will not spearhead such an approach. It'll have to be up to
> somebody else to take the reigns under such conditions. I have no experience
> with such matters. Perhaps someone like Rick Boggs, who has had firsthand
> experience with access-related legal action, could find the time to step in,
> if necessary. Again, in my book, legal action is Plan C. Barring subtle
> variations, I don't see any other major outcomes, A, B or C.
>
> Thanks for reading this very lengthy post. I hope it answers some questions,
> perhaps it might prompt some questions. I suspect that some of the potential
> questions might depend on the response from Mr. Greenfield. We'll see.
> Naturally, as soon as I receive any word, I'll immediately post it here.
>
> Slau
>
>

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