No problem. I don't always have the time to get into detail much less even 
respond to certain questions but happy to do it whenever I can.

Cheers,

Slau

On Oct 30, 2013, at 4:44 PM, Poppa Bear <heavens4r...@gmail.com> wrote:

> Wow, that's some good information. I appreciate you taking the time to 
> explain all of it.
> ----- Original Message -----
> From: Slau Halatyn
> To: ptaccess@googlegroups.com
> Sent: Wednesday, October 30, 2013 9:03 AM
> Subject: Re: Pasting and overlapping audio
> 
> You need to create an unlinked crossfade and set the parameters in such a way 
> that the fade out and fade in are instantaneous.
> 
> Select the range from a few ticks before the second region begins to how ever 
> many ticks into the second region you'd like the first region to last. Press 
> Command-f to open the fades dialog. Press the "None" button to unlink the two 
> fades. I think the shortcut for that is Shift-down arrow a couple of times. 
> To set the fade out to be at it's maximum power until the very end, press 
> Control-right arrow several times, like 7 times just to be on the safe side 
> although probably only 3 will do. I'll explain later.
> 
> To make the fade in instantaneous, press Option-left arrow several times. 
> Press Enter and audition the result with Command-Option-left or right arrow, 
> providing you have a value greater than 0 in your pre and post roll fields.
> 
> A word about fade in and out shapes. The control-left and right arrows cycles 
> through fade out shapes. Think of it as left to right and it doesn't cycle 
> through.
> Here are the fade shapes:
> 1. Instant attack, no decay, sound just cuts out right at the beginning of 
> the selection.
> 2. Very fast attack, slow decay. Sound Fades very quickly at first and slowly 
> fades toward the end.
> 3. Fast attack, gentle decay.
> 4. Equal Gain. Steady fade.
> 5. Slow attack, fast decay. Initial fade is gradual and speeds up toward the 
> end.
> 6. Slower attack, very fast decay. Fade starts out very gradually and speeds 
> up toward the very end.
> 7. No attack, instant silence at the end of selection.
> 
> The shapes for Fade-ins are exactly the same only reversed so that, for 
> example, in shape #2, the initial fade-in is extremely quick and slopes 
> gently up as it approaches the selection end. Fade #6, on the other hand, has 
> a very slow initial entrance and a very fast slope up in volume as it reaches 
> the end of the selected fade range.
> 
> The subject of crossfades is quite complex and there are a lot of things to 
> consider. I'm giving you the sort of reader's digest version but I hope it 
> helps.
> 
> Slau
> 
> On Oct 29, 2013, at 4:25 PM, Poppa Bear <heavens4r...@gmail.com> wrote:
> 
>> Ok, I have a four bar hook that I want to paste to make 8 bars all together. 
>> The 4 bar section goes a few ticks into bar 5. When I paste the section it 
>> pastes over the last few ticks and cutts it off. Is there a setting to be 
>> able to have the pasted section overlap over the end of the origenal 
>> section? I know I can duplacate all the tracks and do it that way, but it 
>> seems kind of rediculus to have to duplacate 6 more tracks when I would 
>> think a fade setting would be available.
>> Thanks for any thoughts
>> 
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