Sure, you have to hang yourself out there when you write near-future SF, and
maybe you're wrong. That doesn't bother me so much, because I don't think
it's about being "right" or "wrong" as a matter of prediction. You have to
get things right with regard to narrative logic and worldbuilding logic. It
may mean you end up with an obsolete vision. But people still read and enjoy
"Red Star, Winter Orbit" even though it's totally obsolete. (hey, the Soviet
Union collapsed! whaddya know!)

I'm really down on far-future SF these days, myself. Most of it seems kind
of devoid of imagination. I mean, will we really be drinking coffee 250
years from now? We weren't 300 years *ago*. Will we still put on clothes and
feed and mate and evacuate our bowels in the same way in space ships 500
light years or 500 solar years distant? Given just recent advances in
genetics and nanotech, I find it difficult to believe. Of course
you have to find familiar things for people to relate to, so you can say
"well, the ship's captain is going to share a glass of scotch with his first
officer" (which assumes the preservation without replacement of scotch,
human control of ships, 19th-21st century shipboard chains of command, a
fascination with imbibing toxins for entertainment, and so on), but I guess
for me it kind of strips away the pretense at extrapolation and turns it
into fantasy. That is, it's not believably different enough, for me.

I'm much more interested in far future SF visions that are really very
different from the present. Vonda McIntire's "Little Faces" is an example of
what gets me jazzed: A geniunely different vision of a human future, not
something that gives us comfortable lifelines into our present. (I have
quibbles with her cavalier treatment of long time passages, but that's a
minor point.)

Sometimes even when I think the vision isn't far out enough, the strength of
the project, so to speak, wins me over. *The Forever War* was like this for
me. I didn't think there was nearly enough change going on back home while
the protagonist is zooming around at relativistic speeds. But it worked for
me because the whole thing was a pretty naked metaphor for Haldeman's
experiences as a Vietnam veteran.

OK, I'll come out and say it: Most far-future SF is, in my analysis, more
Fantasy than SF. I think SF is really properly a sub-division of Fantasy,
anyway, which is why as a more or less middle-aged guy I'm now liking the
term "speculative fiction" whereas when I was a kid I thought it was a wimpy
term. (I was all about aggressively claiming my geekhood.) "Fantasy" isn't a
good over-arching label because it has too many established connotations,
even though I think it's accurately descriptive if you strip those away.
Which we can't do, as a practical matter, so nowadays I'm happy to settle
for "speculative fiction."



On 2008-09-12, Alicia Henn <[EMAIL PROTECTED]> wrote:
>
>
> I would add that near future SF is more difficult to write because
> you're proven wrong quickly, as opposed to 100 years after you're dead
> and don't care. You have to write something you can live with.
>
>
> Alicia
>
> On Sep 11, 2008, at 11:20 PM, [EMAIL PROTECTED] wrote:
>
> >
> >
> > ...Not so easy:
> >
> >
> http://futurismic.com/2008/09/11/why-near-future-science-fiction-is-diffi
> > cult/
> >
> >
> >   Frank
> >
> > Check out my web page at:
> http://www.geocities.com/stardolphin2/link3.htm
> >
> > "A perfect test teaches you nothing, but you learn a lot from
> > failure."
> > - Rocket engineer Wernher von Braun
> > ____________________________________________________________
> > Turn your passion into a profession.  Click here to find a film
> > school near you.
> >
> http://thirdpartyoffers.juno.com/TGL2141/fc/Ioyw6i3l7QB2DVhbMlsTCkVtE7wCGqNht5rf8IvRqd532iJnswuyJv/
> >
> > >
>
>
> >
>


-- 
eric scoles ([EMAIL PROTECTED])

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