What I'm wondering is if being well-known will matter as much. If there will
be more artists who are known to fewer people. My students listen to a lot
of musicians who aren't well-known.

On Thu, Feb 26, 2009 at 3:02 PM, SteveC <[email protected]> wrote:

>
> On Feb 26, 2:04 pm, Jonathan Sherwood <[email protected]>
> wrote:
> > Stross had an interesting take on this in Accelerondo. He laid out a
> world
> > where doing something for money became unfashionable; it was preferable
> to
> > do something for free and then reap the rewards of the kudos or
> reputation
> > you received because of it. Essentially, reputation became the new
> > barter-esque currency.
>
> Cory Doctorow did the same two years earlier in Down and Out in the
> Magic Kingdom. That's how Cory made his name. There was a lot of talk
> on the Net at that time or earlier about how important reputations
> were becoming and noting that message boards were allowing people to
> vote on other people's status and positing all sorts of changes
> thereof.
>
> In fact, nothing really changed. Sure, a few authors have become well-
> known and even bestselling for marketing themselves on the web with
> free content, but a few authors have always stood out because of their
> marketing. A few groups have become known for their free music. A few
> have become known for their movies. A few have become known for their
> blogs. The tools changed but the underlying economic reality still
> means that to make money their products get sold in the old-fashioned
> way. Google "reputation economy" for discussion of this. Five years
> old and already obsolete.
>
> Craig, the Guild is most definitely defending an existing business.
> The audio book business is the one part of publishing that's making
> money.
>
> Steve
>  >
>


-- 
Janice

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