Very nicely said James. I completely concur with the sentiment, though...Kahn's 
natural materials could weather gracefully without finish. With RCP you've got 
the CP on top of the raw steel. Maybe a CorTen frame....? ;)

Rob in Seattle, also an architect. :)


On Nov 14, 2010, at 11:58 AM, james black wrote:

> On Sun, Nov 14, 2010 at 07:50, rperks <perks....@gmail.com> wrote:
>> James, thanks for the complement on the bike, the RCP is fun, but much
>> like Esteban has said in the past, I spend too much time thinking
>> about what color I would like it to be next.  In a way it is like
>> having an unpainted frame that you feel compelled to add color, but
>> with no real threat of rust you have way too much time to sort it out.
> 
> I was thinking about this idea this morning. I like the Roadeo clear
> powdercoat look because it has a nice warm brown-grey tone and an
> inherent richness and texture to it, and it shows off the details very
> nicely - the contrasting color of the brazing is like lug pinstriping,
> but integral rather than cosmetic; the forged dropouts and their
> connection to the stays stand out. It has a kind of Lou Kahn-style
> integrity.
> 
> The iconic Modern architect Lou Kahn is perhaps best remembered by the
> cliche that he asked the brick what it wanted to be, and the brick
> told him, it wanted to be an arch. His architecture stressed the
> ethical imperative of expressing the inherent truth of the materials
> from which it was built - if an element looked like a column, it
> definitely was supporting something structurally. Something fake or
> meant to imitate something else would be a deep ethical failure. A
> concrete guardrail would be separated from a concrete column, rather
> than poured integrally and seamlessly, because it performed a
> different function. Materials such as brick, stone, concrete, and wood
> were favored rather than painted surfaces, because with these
> materials, the material itself could be exposed unpainted and allowed
> to express itself, and these materials weather well and were allowed
> to do so.
> 
> I see an analogy between the Lou Kahn mindset and the Rivendell
> mindset that favors natural materials like canvas, leather, wood,
> cork, and unpainted silver metal finishes. These materials are also
> favored for their integrity and attribute of weathering naturally and
> gracefully.
> 
> The clear powdercoat allows the steel bicycle frame to join the family
> of materials that aesthetically express their own materiality without
> relying on pigmented paint. Lou Kahn would prefer an unfinished
> titanium frame perhaps, but the clear powdercoat fits the Rivendell
> ethic-or-aesthetic quite appropriately.
> 
> James Black
> Los Angeles, CA
> 
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