I don't mind sending it here.

On Thu, Apr 7, 2016 at 4:18 PM, D. Michael McIntyre
<rosegarden.trumpe...@gmail.com> wrote:
> On 04/07/2016 07:19 AM, Silas Mortimer wrote:
>
>> Anyway, here's one example:
>>
>>
>> https://drive.google.com/file/d/0B8p6zThp4KIdN2NyUXBRWHkxUHc/view?usp=sharing
>
>
> Red bar lines are Rosegarden's way of telling you that something is wrong.
> The measure does not count correctly, and this typically happens because it
> is too full.
>
> The automagic tool that's supposed to fix this kind of thing is Adjust ->
> Notes... -> Tie Notes at Bar Lines.
>
> I constructed a test example, and of course it isn't working at all! I'm not
> sure if that's a bug or my rusty understanding.
>
> So the next easiest way to go at this is to select the whole note and use
> Ctrl+2 to convert it into a half note.  Add another half note, select the
> pair, and tie them manually.  (You can also use Ctrl+Alt+2 to convert the
> whole note into a single half note with a performance duration of a whole
> note.  The note will sound for two full measures of 2/4 but it will only be
> written as one half note.  It may not be a good idea to have such an extreme
> difference between notation duration and performance duration, but it's an
> option.)
>
> If in doubt, erasing a bit of stuff and drawing that bit over again will get
> you around a lot of glitches.  Some glitches are your fault, some glitches
> are our fault.  Every time I get frustrated and think Rosegarden is a
> hopeless piece of crap, I go play with Sibelius or Finale.  Commercial
> software with years on us and presumably millions of dollars invested in
> development is only marginally better, and Rosegarden was built by rank
> amateurs.
>
>> Here's one more:
>>
>>
>> https://drive.google.com/file/d/0B8p6zThp4KIdSmZOdUx3eWR4YVU/view?usp=sharing
>
>
> When notes are circled like that, you can interpret that to mean "there is
> something awfully weird here.  To do anything to resolve this one, I need
> the file you're working on.  (Send it directly to me if you're shy.)  Then I
> can look at what's what and sort it out.  I'll walk you through how I did
> what.
>
> --
> D. Michael McIntyre

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