Dar# it!  I just wrote a lengthy reply to Keith and sent it off not
noticing that the "To" was to Keith not the group.  Done it before,
will do it again.  I will attempt to recapitulate:

Keith,

I will also be using foamboard for my modeling efforts.  And I am not
modeling flatland, either.  I'm modeling southeast Ohio, also known as
"little Switzerland."  I will be trying a new method I recently
learned about from Jim Six.

Jim is building a new layout of the Michigan Central in northern
Indiana.  This is indeed "flatland" although there are rills, ditches,
streams, rises, embankments, and the occasional moraine.  Jim is using
an uncommon technique.  A light wood framework supports a base of 2"
foamboard.  On top of this is glued at least one layer of ceiling
tile, the common 2' x 4' tile as used in ceiling grid systems.  This
is for the lowest elevation of scenery.  More layers of tile are added
for higher elevations, in Jim's case as many as four layers.  So you
see, Jim's scenery has an overall elevation variance of about 2", all
done with ceiling tile.

Jim applies the second and additional layers of tile in a topographic
map fashion.  After the tile are glued in place (with Liquid Nails) he
grinds into the tile with a grinding wheel in an electric drill, and
finishes off the contouring with a Stanley Surfoam tool.  A friend
applies a spray of water on the tile as work progresses, and with this
there is no airborne dust, only the tailings of ground tile behind the
grinder.  One of the big advantages of this method is that the mess is
contained.  There is no plaster dust, there is no foam dust flying
around.  The mess is easily contained and vacuumed up.

Jim is applying the track (prefab flextrack and turnouts) directly on
the ceiling tile.  There is no raised roadbed with cork or Homabed,
only the ceiling tile, which does have drainage ditches "carved" into
the tile on either side of the track.  The result is a quiet layout. 
There is no rumbling as you would have on the foamboard directly, and
no "soundboard" effect from hardshell scenery.  Jim says it is the
quietest layout he has heard.

I will be modifying Jim's technique for my hilly scenery.  My scenery
base will also be the 2" foamboard, but my scenery will have as much
as 14" of elevation variance on each diorama.  Because of this, I will
start with a coarse topographic base of foamboard, with linear
(straight) edges.  On top of this "pyramid" I will glue layers of 1/2"
ceiling tile, again in a topographic manner.  (Four layers of ceiling
tile to each layer of foamboard.)  This will then be ground down to
final contour.

You ask about rocks for foam.  There are basically two options. 
First, you can carve your own.  Basically, you glue up blocks of foam
to form the rock formation, then carve them to shape with knives,
chisels, wire brushes, whatever tool(s) seem appropriate.  When done
carving, you paint the foam like you would any other scenery method. 
The second option is to cast the rocks using spray foam like "Great
Stuff."  A good website on this technique is this one:

http://www.bragdonent.com/gfguide.htm

About halfway down the page is a section on casting rock molds with
urethane.  If you use an appropriate mold release, you can use any
latex rock mold with the common spray urethane foam from the home store.

Another viable solution to rock faces on a foamboard layout is to use
ceiling tile for rock.  This has been done on layouts for decades,
dating back to the '50's as far as I know.  One excellent website that
treats this method is Harold Minkwitz's Pacific Coast Air Line.  The
page for this is:

http://www.pacificcoastairlinerr.com/rockfaces/

As you see, after the broken tile are glued together into the "rock"
formation the surface is "filled" with a mix of paint and Sculptamold.

As to molding rocks, whatever medium you are using, there are
basically two types of mold, latex and foil.  The latex molds can
either be bought or you can make your own with liquid latex, brushing
multiple layers on a rock that you like the texture of.  Many modelers
like the texture of lumps of coal.  As I say "foil" this can ba any of
several sheet goods, but aluminum foil makes a great blasted rock
surface.  No, not the foil itself, but using crumpled foil as a mold
for you rock medium.

One great suggestion is to start with a small diorama.  You can
experiment with new techniques without committing to a full layout
until you settle on what works for you.  Any new technique will have a
learning curve, and you must expect to make mistakes, from which you
will learn, and hopefully to have some great successes too.

I hope this helps, Keith.

Darrell




--- In [email protected], Keith Thompson <[EMAIL PROTECTED]> wrote:
>
> 
> Hi,
> 
> I was thinking of using foam board (the rigid insulation type) for  
> scenery. Flat areas seem straightforward. Just coat with your  
> favorite ground cover.  What about vertical surfaces, in particular,  
> I want to model a rock face. I can't imagine making the foam look  
> like rocks.? Guessing I need to apply something over it. Any  
> suggestions or references?
> 
> Thanks,
> Keith
>







 
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