Here a info from the newsgroup rec.arts.anime.misc thanks for reading, 
arigato

Stéphane Dumas
----- Original Message ----- 
From: "Rob Kelk" <[EMAIL PROTECTED]>
Newsgroups: rec.arts.anime.fandom,rec.arts.anime.misc
Sent: Thursday, November 01, 2007 5:05 PM
Subject: [INFO] The Anime Primer, or "What Anime Should I Watch Now?" (7/10)


> (continued from part 6)
>
> O
>
>   OH MY GODDESS! (a.k.a. AH! MEGAMISAMA):  Keiichi is visited by the
> lovely goddess Belldandy, who grants him a wish.  He wishes that she
> become his girlfriend.  Her older sister wants their relationship to
> progress faster, while her younger sister is dead-set against it.  But
> why does Belldandy resist them both, insisting that promises must be
> kept? Based loosely on the manga AH MEGAMISAMA by Fujishima Kosuke.
>   The original five-episode OAV series is available from AnimEigo.
> The manga is available from Dark Horse.
>   See also AH! MY GODDESS (Movie), AH! MY GODDESS (TV), and
> ADVENTURES OF THE MINI-GODDESSES.
>   [Entry by Rob Kelk]
>
>   OMISHI MAGICAL THEATER: RISKY SAFETY:  This quiet show is the story
> of an apprentice shinigami (almost, but not quite, a "personification
> of Death") named Risky, an apprentice angel named Safety, and a
> junior-high schoolgirl named Moé who becomes caught up in the destiny
> of the two supernatural beings.  Risky and Safety have conflicting
> personalities and conflicting orders from their superiors, and usually
> work at cross-purposes, which is awkward for them because (for a
> reason explained halfway through the series) they share the same body.
> But when something goes terribly wrong with their corner of the world,
> they have to decide whether they can work together to set things
> right ...
>   This is a 24-episode series from the pen of Rei Omishi (the creator
> of SORCERER HUNTERS), with each episode being ten minutes long
> including credits.  It's a twist on the usual "coming of age" story so
> popular in Japan - the supernatural beings do have an effect on the
> humans they meet, but the humans have an even greater effect on Risky
> and Safety.  The story takes quite a while to build to the climax, but
> despite appearances none of the episodes are "filler".
>   Available in North America on three DVDs from AN Entertainment.
>   R1 official website:
> <http://www.animenation.net/anent/riskysafety/>; includes a page where
> you can download episode 1 (Quicktime format only).
>   [Entry by Rob Kelk]
>
>   OMOIDE POROPORO (English title ONLY YESTERDAY):  A young woman just
> starting her first job has a bit of an identity crisis and decides to
> travel to the country in search of happiness, and possibly romance.
> Interwoven between the lovely scenic shots of rural Japan are
> flashbacks to the woman's childhood.  Looking back at her past, the
> young woman wonders why these memories are so important to her, and
> what relevance they have to the present, and the future.
>   [Entry by Dot Warner]
>
>   ONE PIECE:  This is a grand shounen adventure saga, with humor,
> action, drama and great characters.  It's based upon a long running
> and very popular shounen manga.  The anime is well over two hundred
> episodes and stays amazingly fresh and imaginative.
>   In a strange world of pirates, that is sort of a funky mix of 17th
> Century Spanish Main and today, Luffy, a teen who has eaten the fruit
> of a "gumo-gumo" plant, has become a "rubber boy", with super powers.
> Which is useful, because he wants to be the king of all pirates in
> this world and find the greatest pirate treasure of all time, the "One
> Piece".  Luffy collects a strange band of associates and they explore
> this very baroque world, helping many folks in need (mainly by
> fighting the real pirates), but not actually pirating.
>   Licenced by 4Kids.
>   [Entry by Dave Baranyi and Catherine Johnson]
>
>   ONEGAI TEACHER! (a.k.a. PLEASE TEACHER!):  Kei Kusanagi seems like
> an ordinary 15 year old, however he's got an extremely rare condition
> where his body goes into a "standstill" when he's under extreme
> pressure.  One night while stargazing, he witnesses a shooting star
> that seems to be more than just interstellar crud entering Earth's
> atmosphere.  All of the sudden, a mysterious woman appears before him.
> Later, his new teacher definitely looks like the mysterious woman, but
> how can he explain it without looking like a looney.
>   When he helps her move into her new apartment, he discovers the
> truth, she is an alien, well, half-alien.  One of her parents was from
> Earth, and she was then ordered to observe Earth by the Galactic
> Federation.  During a time when her ship computer went wonky, she &
> Kei were trapped in the gym supplies shed at the school.  After the
> Principal ended up letting them out, Kei ends up marrying her, so that
> she can keep her job, so that she can stay on Earth, and not have to
> report this as a failure.  However, since a marriage between a student
> and a teacher is very dangerous, they must now keep the marriage a
> secret.  What's a boy to do when he's married to a gorgeous teacher
> and can't tell any of his friends?
>   Available in North America from Bandai.
>   [Entry by Bill Martin]
>
>   ONIISAMA E (a.k.a. BROTHER, DEAR BROTHER):  Teenage Misonoo Nanako
> enters an exclusive private high school, makes new friends, and is
> quickly picked to join a snooty sorority.  She is caught up in the
> emotional whirlwind of the passionate and unstable personalities of
> her female classmates: Miya-sama, the wealthy, beautiful, and ruthless
> sorority president; Saint-Juste, a brilliant pianist, but prone to
> depression and fits of self-destructive violence; the boyish
> basketball player Kaoru no Kimi, smart and ethically clear-sighted,
> but subject to a mysterious illness, and troubled by an undisclosed
> romantic sorrow; and the beautiful, fiercely loyal, but unstable and
> obsessed Mariko, the despised daughter of a wealthy writer of
> pornography.  With innocent Nanako in the middle, the fragile truce
> between the other girls begins to break down, and Nanako is carried
> with them into a destructive maelstrom of passion, madness, and
> unrequited love.
>   This is the dark side of shoujo, much darker than author Ikeda
> Riyoko's best known work, ROSE OF VERSAILLES.  It is gothic and
> atmospheric, dramatic bordering on melodramatic, and includes sexual
> stalking, graphic physical violence, multiple suicide attempts, drug
> abuse, and lesbian homoeroticism.  It is deadly serious, and becomes
> unbearably intense as the story passes the midpoint of its 40 TV
> episodes.  It is not for everyone.  Like it or hate it, you will never
> forget it.  It has an outstanding score which reinforces the show's
> emotional tone.  Available only as fansubs of the first 28 episodes;
> even the original Japanese edition is no longer in print.
>   [Entry by Slithy Tove]
>
>   ORANGE ROAD:  See KIMAGURE ORANGE ROAD
>
>   OROSHITE MUSICAL NERIMA DAIKON BROTHERS:  This is one of the most
> unique anime series you will ever see.  It is an honest-to-goodness 12
> episode musical comedy, done in song and dance, just like a stage
> musical.  There are great jokes (many bawdy), snappy songs, hot girls,
> pretty boys, and even pandas!  What more can you ask?
>   This is the story of two brothers, Hideki and Ichiro, along with
> their girl cousin Mako, who make up the Nerima Daikon Brothers singing
> group.  They have built a stage at one end of their daikon farm in the
> Nerima neighborhood of Tokyo and dream of becoming a hit and one day
> having a modern arena for their act on the site of their farm.  But
> they have little money and lots of opposition, not the least of which
> are the neighbors who don't like the trio belting out songs in the
> middle of the night, as well as secretive forces who want their land.
>   In the tradition of musical comedies, the trio comes up with all
> kinds of crazy schemes, legal or not, in order to try to get some
> money.  In addition, they are assisted by several other odd
> characters.  The first is a "daikon panda", a little panda who has
> daikon leaves growing out of his head, and who eats daikons instead of
> bamboo leaves.  There is also Nab (Afro and all), who runs a rental
> shop which rents some of the oddest things, but always just what the
> trio need.  Finally, there is the mechanically-assisted police woman
> Yukiko, who sometimes investigates and sometimes helps the trio.  And
> let's not forget the "Bank Machine Chorus Girls" who provide "Easy
> Loans" as required.
>   So if you like musical comedies and want some fast-paced,
> action-packed and imaginative "toe-tapping fun" you may well want to
> try out OROSHITE MUSICAL NERIMA DAIKON BROTHERS.  The series will be
> released on R2 DVD starting in May 2006.
>   Licenced in R1 by ADV.
>   [Entry by Dave Baranyi]
>
>   OTAKU NO VIDEO:  A satirical look at the world of the "otaku", the
> word used to describe obsessive fans in Japan.  Kubo is persuaded to
> give up his normal life by his friend Tanaka and his friends to pursue
> a life of devotion to anime, manga and so forth.  We are introduced to
> all forms of otakudom as Kubo and Tanaka start a company or two with
> the ultimate goal of the otakunisation of the entire world! Includes
> spoof live-action interview segments.  Subtitled release, originally
> released by AnimEigo in the US and Anime Projects in the UK.
>   [Entry by Chika]
>
>   OURAN HIGH SCHOOL HOST CLUB:  Haruhi Fujioka attends ritzy Ouran
> High School as a scholarship student, too poor to purchase the
> school's uniform.  Searching for a quiet place to study, she happens
> on the room where the Host Club meets, a club made of six wealthy
> bishounen who cater to the whims of the female students.  Through a
> series of events, she finds herself in debt to the club, working first
> as a gopher and then as a host herself.  (Not having a really firm
> gender identity, Haruhi is at first mistaken for a male.)
>   OURAN HIGH SCHOOL HOST CLUB is beautifully and wittily animated,
> and possesses a clear ancestor in the form of REVOLUTIONARY GIRL
> UTENA.  Although many of the episodes are light and frivolous, as
> Haruhi learns more about the personal histories of her new friends
> (and they learn hers), the story reveals more serious undercurrents.
>   [Entry by laurie cubbison]
>
>   OUTLAW STAR:  The first show in Sunrise's "Toward Stars" universe,
> OUTLAW STAR is an old-fashioned space opera writ large.  Gene
> Starwind, a big fish in the small pond of his home planet, is thrust
> into a conflict between the Space Forces, the galactic pirates, and
> the "outlaws" who owe allegiance to neither side as they all try to
> reach the Galactic Leyline.  Helping Gene are his young partner Jim
> Hawking, the lovely Melfina, and others who come and go from the plot.
> If you like "pulp"-era science fiction, you'll like this show.
>   OUTLAW STAR is available uncut on VHS and DVD from Bandai in North
> America, and an edited version of most of the series has been shown on
> US television.   The show is available in Australia from Madman.
>   [Entry by Rob Kelk]
>
>   OVERMAN KING GAINER:  This is another Tomino Yoshiyuki variation on
> his lifetime preoccupation with "giant robot" stories, and to an
> extent can almost be considered a continuing evolution from his
> previous two series, TURN A GUNDAM and BRAIN POWERD.  The story is set
> in the far future when, after a world-wide ecological disaster, most
> of the remnants of Humanity have moved to domed cities in wastelands
> such as Siberia, where the story takes place.
>   As with BRAIN POWERD, the mechas have some bio-mechanical parts and
> characteristics.  But in the case of KING GAINER, the mechas acquire
> varying powers by the addition of "over skins" to the basic mecha
> engine and design.  These over skins are interchangeable and if
> captured without too much damage can be used by different mechas.
> KING GAINER also shares two key similarities with TURN A GUNDAM: a
> huge cast of characters, and an odd anachronistic approach to design
> of the world.  TURN A GUNDAM blended the look of the post-Civil-War US
> with mechas and a certain amount of "steam punk" sensibility.  KING
> GAINER blends the look of 1960's Soviet styles with giant retro trains
> and a certain amount of universal "grunge" look for the settings and
> characters.
>   The plot revolves around the effort of an underground group known
> as Exodus to take a number of mobile city modules out of their current
> domed city to a new "Promised Land".  The erstwhile military leader of
> Exodus is Gain Bijou, a 28 year old cocky ladies man who likes to
> operate a two-legged open mecha with a powerful anti-armor gun in one
> arm and an oversized powered-up over skin arm on the other side.  He
> gets 17-year-old interactive video game "king" Gainer Sanga
> unwillingly involved with Exodus and the two of them form an uneasy
> alliance after Gainer accidentally reactivates and becomes the pilot
> of an extremely powerful old war mecha.  Gain is a very unlikely
> Moses, and Gainer is an even more unlikely and unenthusiastic Joshua
> in this "Exodus".  Opposed to Gain, Gainer and Exodus are the forces
> of the Siberian Railway Guard, a quasi-governmental body that provides
> the main means of connecting the isolated cities in Siberia, along
> with semi-feudal rulers of the domed cities.
>   What differentiates KING GAINER from TURN A GUNDAM and BRAIN POWERD
> is the odd humor that exists in many of the details of the story and
> design.  Strange and goofy but self-consistent things continuously
> happen in the background.  For example, the story is set in a frozen
> wasteland with lots of ice and snow around.  Therefore characters will
> quite often slip and fall on their faces, particularly if they try to
> run on the ice.  Gain also has a number of peculiarities, such as
> penchant to try make spending money by prize fighting in impromptu
> matches in various dome cities.  So at one time Gainer is talked into
> sitting in drag in the audience to watch Gain fight, which turns out
> to be a bad move for both of them.  Yet with all this and many, many
> other humorous moments, KING GAINER continues to have an underlying
> thread of seriousness that underlies the series.
>   So all-in-all OVERMAN KING GAINER is an entertaining and
> interesting 26-part series.  The music to the series is quite good,
> and it's hard to beat the Go-Go Dancing mechas in the opening
> animation.  The artwork, particularly the background details, ranges
> from good to occasionally spectacular, and there is a great 3DCG eye-
> catch that shows up starting in episode 4.  The show also has three
> "cute mascots", lots of "Tomino Babes" and tons of action.  Add to
> this the humor and characterizations and you have a series that is
> memorable and enjoyable.
>   [Entry by Dave Baranyi]
>
> P
>
>   PANDA KOPANDA (a.k.a. PANDA! GO PANDA!):  Hayao Miyazaki's first
> produced work.  It is two half-hour short pieces.  The first piece was
> made in 1972, the second a year later.  The main characters are a
> little girl named Mimiko, a large panda (Pa Panda), and his panda son
> (Panny).  Mimiko (about 5 years old) lives with her grandmother.  One
> day, her grandmother has to travel out of town for an extended period,
> leaving Mimiko alone to take care of things.  By chance, a panda
> father and his son wander into the town where Mimiko lives, and
> attracted by the large bamboo garden, come to her house.  Mimiko talks
> with them and decides to create a family of sorts, wherein she is the
> little panda's mother, and the large panda is her father.  This piece
> is generally seen as a precursor to TONARI NO TOTORO (MY MEIGHBOR
> TOTORO).  It is available on DVD and VHS from Geneon.
>   [Entry by Matt Huber]
>
>   PARADISE KISS:  One day, A-student Yukari Hayasaki is approached on
> the street by a punk-rock-styled teenager telling her she'd be perfect
> as their new model.  Thinking he was a nut, she tries to escape, but
> trips into the arms of a fashionable young lady called Isabella and
> faints.  Thus the straight-laced Yukari is brought into the world of
> Paradise Kiss, a fashion shoujo anime that describes the kind of
> universal painful adolescence that has won this series fans around the
> globe.
>   Everyone can understand the emotions of these characters.  It would
> be very familiar to anyone who was a teenager.  Yukari has a strained
> relationship with her overbearing mother who only seems to be
> concerned about pushing her to succeed, and this is the story of her
> rebellion and trying to find a life for herself separate from what her
> mother wants.  Characters like George, Miwako and Arashi seem to be
> part of everyone's experience, as well as the relationship problems
> they go through.  Even if you haven't experienced a relationship like
> Yukari and George's, you probably know someone who has.  The
> verisimilitude of the characters makes this series entertaining even
> if you don't care about fashion.
>   Age 14+:  Some alcohol consumption and teen sex.
>   [Entry by Travers Naran]
>
>   PATLABOR:  Although PATLABOR TV nominally deals with police using
> mecha ("labors") to combat labor crime, the series is no more a mecha
> show than a modern-day Western police show is a "car show" or a
> "truncheon show"; the majority of episodes are comedy based on
> oddities of modern Japanese culture (apart from the mecha, there are
> practically no futuristic elements in PATLABOR) or the thoroughly
> dysfunctional cast.
>   The second OVA series is essentially a continuation of the TV
> series; but the first OVA series is less well-conceived, and should
> probably be watched only if you come to like the TV series.  The
> movies are very different, being serious works not atypical of Mamoru
> Oshii's direction.
>   Manga Entertainment released the first two movies both theatrically
> and on video, but their licence has expired; the licence is currently
> held by Bandai Visual USA's Honneamise label.  The TV series and OAV
> series are being released by USMC.
>   [Entry by David Damerell]
>
>   PHANTOM QUEST CORPORATION (a.k.a. YUUGEN KAISHA):  Hard-drinking,
> hard-shopping Ayaka Kisaragi is the head of the "Phantom Quest
> Corporation", an eclectic team of ghostbusters whose members include
> Ayaka with her magical sword, a huge Buddhist priest, a
> flame-summoning schoolgirl, and a brilliant little boy whose financial
> acumen is all that keeps Ayaka's shopping from ruining the company.
> The animation is beautiful and fluid, and the soundtrack songs catchy
> indeed.  Four OAVs, available from Geneon on two tapes or one DVD.
>   [Entry by Antaeus Feldspar]
>
>   PLANETES:  In the relatively near future, space debris has become a
> problem to mankind's continuing expansion into the stars.  PLANETES
> follows the adventures of the Debris Section of Technora Corp, a
> space-based company, after the arrival of idealistic new recruit Ai
> Tanabe.  The misfit staff - including the slacker Hachimaki, tragic
> ferret-obsessed Yuri and the heavy smoker Fee - make the most of their
> job, which is laughed at by the rest of the company, but Tanabe's
> arrival catalyses changes which will see the Debris Section become
> important to mankind's survival in space.
>   PLANETES is basically PATLABOR in space, where the sci-fi setting
> serves mostly as a background to an excellent character drama laced
> with wry humour (however, the space aspect is realised more accurately
> than in many shows - the ships make no sound in a vacuum, for
> example!).  Whilst slow - the first half develops the characters
> before a real over-arching plot develops about halfway through - the
> writing is exquisitely judged, with plot developments relying on the
> series as a whole, and generally winning characters (although some may
> find Tanabe's optimism wearing at least to begin with).
>   PLANETES is licensed by Bandai for release in Region 1 around June
> 2005, with the manga already available in full from Tokyopop.
>   [Entry by Andrew Hollingbury]
>
>   PLEASE SAVE MY EARTH:  Please Save My Earth is a shoujo anime that
> centers on the concept of reincarnation.  Based on the original manga
> by Saki Hiwatari published in "Dreams and Flowers" magazine, this
> story follows seven year old Rin Kobayashi who has dreams of another
> life.  These dreams are shared by his neighbor Alice Sakaguchi and two
> of her high school classmates Jinpachi Ogura and Issei Nishikiyori.
> The three of them decide to search for others who may share the same
> dreams while Rin sets off on his own agenda.  In these dreams, they
> all seem to live on a base on the moon.  From that base they study the
> Earth, its politics, resources, music, wildlife etc.  In total there
> are seven scientists, each one seemingly gifted in some way.  They
> feel a fondness for the Earth and wish they could be a part of it.
> Full of emotion, complex relationships and a myriad of characters that
> the seven who share the "Moon Dreams" encounter, PLEASE SAVE MY EARTH
> is one of few anime that will truly make you think and feel.  Complete
> OVA series available on one DVD from Viz Video.
>   [Entry by Terrence Walker]
>
>   PLEASE TEACHER!:  See ONEGAI TEACHER!
>
>   POKEMON (a.k.a. POCKET MONSTERS):  Before you all start gagging,
> yes this is a full blown, card carrying anime.  The story is loosely
> Earth like in its setting, however the world in this case is inhabited
> by many different "Pocket Monsters" or "Pokemon", which people trap
> and train to compete in fighting competitions.  Of course there are
> all sorts of rules attached to this, plus the obligatory baddies, in
> this case a boy and girl team (Team Rocket) and their pet Pokemon.
> Dubbed and on show on TV virtually everywhere, with two films also
> released to date.  Both the anime and manga are available from Viz.
>   [Entry by Chika]
>
>   POPOTAN:  Three cute sisters travel from place to place with their
> maid in a teleporting house, skipping forward in time as they go.  As
> they do this, they meet people and change lives, often having to
> confront losing friends as they continue on in their search for a
> certain person who can help them understand why they've been set on
> this journey.  [Note: "Popotan" is the sisters' term for tanpopo, the
> Japanese word for dandelion.]
>   Licenced in North America by Geneon.
>   [Entry by "HiEv"]
>
>   PORCO ROSSO (a.k.a. KURENAI NO BUTA or CRIMSON PIG):  "A pig who
> doesn't fly is just a pig." That's why Porco, a man living out his
> life in a pig's body for reasons that are only hinted at during the
> movie, spends most of his time in the air, hunting air pirates over
> the Adriatic between the two World Wars.  The air pirates take
> exception to this, and hire a crack American pilot to go up against
> Porco ...
>   PORCO ROSSO is a lightweight but very enjoyable movie from Hayao
> Miyazaki and Studio Ghibli.  But it isn't just a pleasant way to pass
> the time; a serious story about love and responsibility hides amongst
> the derring-do and spectacle found here, and (as should be expected in
> one of Miyazaki's works) assertive women are in abundance in the cast.
>   Available in North America from Disney.
>   [Entry by Rob Kelk]
>
>   THE PORTRAIT OF PETITE COSETTE:  Kurahashi Eiri works part-time in
> his uncle's antique shop.  One day, when sorting through a shipment
> his uncle sent from Europe, he finds that through a goblet of Venetian
> glass he can catch glimpses of the life of a delicate young girl named
> Cosette d'Auvergne.  With his growing attraction to her, he feels
> compelled to draw her over and over again, but at the same rate seems
> to more and more lose his grip on reality as he is drawn into the
> surreal world where Cosette's spirit is entrapped.
>   This very dark goth romance is aimed at a mature audience.
>   LE PORTRAIT DE PETIT COSSETTE is a 3-episode OVA.  The license for
> North America is owned by Geneon.
>   [Entry by Ansgar "59cobalt" Wiechers]
>
>   PRINCESS MONONOKE (a.k.a. MONONOKE-HIME):  While on a quest to find
> a cure for a curse, a young man named Ashitaka finds himself caught in
> a war between a mining village and the local forest spirits.  Each
> side is represented by a strong-willed woman&nbsp;- on the miners'
> side is Eboshi, the leader of the village, and on the spirits' side is
> San, the Mononoke princess.  Ashitaka, Eboshi, and San find themselves
> caught up in a search for the Forest God, who is believed to be able
> to bestow great gifts upon mortals ...
>   This was the first film directed by Hayao Miyazaki after Studio
> Ghibli signed their now-famous distribution deal with Disney, and it
> showed fans that the deal made no difference to the kind of stories
> that Studio Ghibli would tell.  It was also the first Studio Ghibli
> movie released in North America on DVD, setting the standard for
> Disney's high quality anime releases.
>   PARENTAL ADVISORY:  PRINCESS MONONOKE is not a film suitable for
> pre-teens.  There are some graphic depictions of violence, and some
> characters die messily.  Preview this movie before letting your
> children watch it.
>   Available from Disney.
>   [Entry by Rob Kelk]
>
>   PRINCESS NINE:  Ryo Hayakawa is a "natural" at baseball - despite
> being in high school, her pitches are faster than some from the pros.
> Kisaragi Girls' School forms a team around her in order to be the
> first girls' school to win the Japanese high-school series at Koshien,
> a tournament that has been restricted to teams of boys only.  But
> that's secondary to the people on or involved with the team - Ryo and
> her rival Izumi Himuro, Kisaragi Boys' School's team's star batter
> Hiroki Takasugi (who both Ryo and Izumi have feelings for, but not the
> same feelings), Ryo's childhood friend Seishiro, the boisterous Hikaru
> and the quiet Yuki who were first to join the team after Ryo, and too
> many other characters (most with hidden depths to them) to name here.
>   Like many other shows (such as MAGIC USERS' CLUB), PRINCESS NINE is
> about growing up and learning who you are, and not what it looks like
> it's about at first glance.  But the baseball games are interesting,
> too, and manage to keep the viewer's attention even after repeated
> viewings.  And who wins when Ryo pitches against Hiroki?  That would
> be telling ...
>   PRINCESS NINE is available from ADV Films.  ADV's series website:
> <http://www25.advfilms.com/favorites/princessnine/index.html>
>   [Entry by Rob Kelk]
>
>   PRINCESS TUTU:  Once upon a time, Ikuko Ito and Junichi Sato
> decided to tell a story about a girl named Ahiru who attends a ballet
> school.  Ahiru wants nothing more than to bring a smile to the face of
> her classmate Mytho.  After learning of her true heritage in the first
> episode, including just how descriptive her name is, she starts her
> adventure as the magical girl Princess Tutu to put Mytho's heart back
> together so that he can smile.  But Fakir and Rue, Mytho's only
> companions, take turns to try to stop Princess Tutu from putting
> Mytho's heart together again ...
>   The pacing and character designs of PRINCESS TUTU are similar to
> those in MAGIC USERS' CLUB, which is no surprise since Ito-san and
> Sato-san both worked as directors on both shows.  The themes of
> various classic ballets that are worked into the series, the surreal
> elements (such as the ballet teacher who is a cat), and the presence
> of an all-knowing supporting character in many episodes, invite
> comparisons to shows like REVOLUTIONARY GIRL UTENA.  And Ahiru is a
> classic magical girl, more interested in helping people than in
> fighting - in fact, she often says that she doesn't want to fight.
> These elements, drawn together into a consistent whole with strong
> episodes throughout the first half and last quarter of the series,
> make PRINCESS TUTU a show not to be missed.
>   Thirteen half-hour episodes, 24 quarter-hour episodes, and one
> final half-hour episode, licenced in North America by ADV (who for
> some unknown reason chose to translate the lead character's name,
> which spoiled one plot twist).
>   R1 official website: <http://www25.advfilms.com/titles/tutu/>
>   [Entry by Rob Kelk]
>
>   PROJECT A-KO:  A very powerful girl named A-ko is the friend of a
> little girl called C-ko.  The supergenius rich girl at school, B-ko,
> wants to get rid of A-ko so she can be C-ko's friend and she tries to
> do this via a bunch of mecha she designed and built herself.  Then a
> bunch of female aliens who look like men (they have male voices in the
> dub) show up looking for their lost princess.  Then things really get
> weird.
>   Filled with 'in jokes' galore, this was followed up by five OVAs.
> The two PROJECT A-KO VS OVAs are set in an alternate reality and so
> don't follow the continuity of the other OVAs.
>   Available from USMC in North America, and from Manga in the UK.
>   A-ko FAQ:  <http://www.zuhlcity.com/a-kofaq1.htm>
>   [Entry by Bruce Grubb, edited by Rob Kelk]
>
> Q
>
>   QUIET COUNTRY CAFE:  See YOKOHAMA SHOPPING TRIP LOG
>
> R
>
>   R.O.D THE OAV:  See READ OR DIE
>
>   R.O.D THE TV:  Taking place after the events of READ OR DIE, we
> follow the three Paper Sisters - the ditzy Michelle, quiet Maggie and
> brattish Anita - as they take on the job of bodyguards for the surly
> Nenene Sumiregawa, famous writer and best friend of Yomiko Readman
> (the lead character in the OVA series, who has mysteriously
> disappeared).  Whilst the Paper Sisters take on various side jobs on
> behalf of the Dokusensha, the Chinese equivalent of the British
> Library forces, there are machinations afoot in the background headed
> by the mysterious Mr. Carpenter that mean the world is at peril once
> more - and what has happened to Yomiko?
>   R.O.D THE TV is much more laid back than its OVA counterpart,
> thanks to having much longer to flesh out characters - a wildly
> convoluted and incredibly gripping plot arc eventually develops at
> around episode 10 (try *very* hard to avoid spoiling yourself for it),
> but before that point is a string of character development episodes
> interspersed with the occasional action-packed mission - your mileage
> may vary depending how much you like the leads, who can be fairly
> cliched and occasionally extremely annoying.  The animation
> occasionally leaves something to be desired (although this has been
> tightened up for the DVD release) but generally R.O.D is an all-round
> excellent production.
>   The series has been released by Geneon in Region 1, and Madman have
> released the first 2 volumes in Region 4.
>   [Entry by Andrew Hollingbury]
>
>   RAIL OF THE STAR:  A Japanese family living in Korea experiences
> the end of WWII, told from the perspective of the young daughter.
> Supplies and medicine become sparse, simple diseases turn deadly, the
> occupied Koreans slowly start being rebellious against the Japanese
> oppressors.  When the Russian forces take over North Korea, the
> Japanese have to flee to the South if they ever want to see Japan
> again.  Despite an interesting historical backdrop, the actual story
> is slow and boring and is painfully naive in its description of
> occupied Korea.
>   Licenced by ADV in North America and the UK.
>   [Entry by Hanno Mueller]
>
>   RAHXEPHON:  Ayato Kamina, a Tokyo high school student, witnesses an
> attack in the sky by a huge floating machine.  In the ensuing chaos,
> he and the mysterious Reika Mishima find their way to an ancient
> shrine, where Reika awakens the giant, winged robot RahXephon from
> inside an enormous egg.  When Ayato escapes from the shrine by somehow
> piloting RahXephon, he discovers himself outside the vast dome that
> encloses Tokyo Jupiter, where strange beings called Murians rule and
> time is distorted.  He is enlisted by Haruka Shitow, a feisty special
> agent, to help in the fight against the Murians - but what has become
> of Reika Mishima? Why does Ayato's mother bleed blue blood?  What is
> the purpose of the Mu civilisation?  This highly complex series has
> been compared with EVANGELION, but has a less annihilistic feel,
> although the story is dark and dramatic - Ayato has qualms about
> piloting the mysterious RahXephon, yet feels he must to protect
> others.  An eclectic score by Ichiko Hashimoto (*not* Yoko Kanno, who
> provides the theme tune) adds weight to the scenes, and the production
> quality is extremely high, with a gripping plot - although some
> episodes fall into a "mecha-of-the-week" pattern.  Available on DVD in
> North America and the UK from ADV, and in Australia from Madman.
>   R1 official website: <http://www.neorahxephon.com/>
>   [Entry by Andrew Hollingbury]
>
>   RANMA 1/2:  Ranma Saotome is the heir to his family's style of
> martial arts.  Akane Tendo is the heir to her family's martial arts
> style.  Their fathers want to unite the two styles, and what better
> way (they think) than to have the two heirs marry?  But that isn't
> Ranma's only problem - while he was training in China, he was cursed
> to become a girl whenever he gets wet.  Comedy (often slapstick) from
> the pen of Rumiko Takahashi.  Both the anime and the manga are
> available from Viz, the anime being their flagship title.
>   [Entry by Rob Kelk]
>
>   READ OR DIE:  Yomiko Readman loves books, so much so that she's
> almost always found reading one.  She also has the power to control
> any piece of paper she touches (which gives her her codename "The
> Paper").  When she's sent to retreive a rare book from a scientist who
> clones historical figures, she and her partners discover a plot that
> could change the world ...  If you can imagine a James Bond movie with
> low-key superpowers and a naive, kindhearted hero, you'd probably be
> imagining something close to this three-OAV series.
>   READ OR DIE has been released by Manga Entertainment in North
> America and the UK.
>   (There is a sequel series, R.O.D THE TV, which is set some years
> after the OAV series and has a substantially different cast.)
>   [Entry by Rob Kelk]
>
>   REAL BOUT HIGH SCHOOL:  Your high school wasn't like this, I
> guarantee it.  The school has a K-Fight system where grudges and
> challenge matches settle things.  At the top of the rankings is Ryoko,
> a rather busty Kendo Club student.  Once she finds an amulet, her life
> turns upside down.  The amulet activates and she finds herself in
> another dimension, with enemies that are beyond belief.  Also of note,
> the final enemy of the series is William Gates (Bill Gates, duh).
> Released by TokyoPop in North America.
>   [Entry by Bill Martin]
>
> (continued in part 8)
>
> -- 
> Rob Kelk <http://robkelk.ottawa-anime.org/> e-mail: s/deadspam/gmail/
> Any Usenet message claiming to be from me but posted from any server
> other than individual.net is a forgery.  Please filter out such
> messages if you have the capability.
> 



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