Back-end participation deals with top directors, producers and actors, 
in which they receive a percentage of a movie's gross -- regardless of 
whether it is profitable -- have been principally responsible for 
pushing the movie industry into an annual loss, according to a report 
produced by research company Global Media Intelligence and Merrill Lynch 
and reported by today's (Monday) New York Times. In its report about the 
study, the newspaper commented that it may be particularly relevant 
during the current writers' strike. "As it turns out, the pot of money 
that the producers and writers are fighting over may have already been 
pocketed by the entertainment industry's biggest talent," the Times 
said. The study examined releases last year that yielded $23.7 billion 
from sales to domestic theaters, foreign theaters, home video, pay 
television and every other source of income. Total costs for those 
films, however, amounted to $25.6 billion -- or a combined loss of $1.9 
billion. The loss, the study determined was due partly to a 15.5-percent 
decline in foreign DVD sales, but "the real killer," said the Times was 
the growth in participations, which totaled an estimated $3 billion. By 
comparison, the newspaper noted, citing WGA figures, total residuals for 
the year amounted to $121.3 million, while a single actor could easily 
earn $70 million from a so-called first-dollar gross deal on a hit 
movie. And such deals amount to super-residuals. As Steven Blume, CEO of 
Content Partners, a company that buys participations for cash, told the 
Times. "These participations are paid in perpetuity."
http://www.imdb.com/news/sb/2007-11-12/


 
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